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Lucian Freud Donates Corot Portrait, Degas Sculptures to Great Britain

Monday, February 4th, 2013

AO News Summary: Corot painting disappears, is found, more details emerge

Monday, September 20th, 2010

Go See – London: “Corot to Monet: A Fresh Look at Landscape from the Collection” at The National Gallery through 20 September, 2009

Thursday, August 6th, 2009

Madrid – Vik Muniz: “Pictures of Magazine 2″ at Galeria Elba Benítez through January 26th, 2013

Tuesday, January 22nd, 2013

AO Auction Preview – Old Master’s Week, New York City

Wednesday, January 27th, 2010

GO SEE: PETER DOIG AT TATE BRITAIN, February 25 – April 27

Monday, February 25th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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