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Eric Fischl Sculpture Goes on View at 9/11 Museum

Friday, September 9th, 2016

Eric Fischl Advocating for New Methods of DNA Art Authentication

Friday, October 16th, 2015

Eric Fischl Parts Ways with Mary Boone Gallery After 30 Years

Monday, May 25th, 2015

Eric Fischl on his Art Fair Paintings

Tuesday, October 14th, 2014

Eric Fischl Takes New Yorker on Tour of Art Southampton Fair

Monday, September 29th, 2014

Eric Fischl Interviewed in Financial Times

Friday, February 14th, 2014

Eric Fischl Calls Woman Who Criticized His Painting

Saturday, August 3rd, 2013

Eric Fischl Interviewed in LA Times

Thursday, July 25th, 2013

Eric Fischl Interviewed in Wall Street Journal

Saturday, May 11th, 2013

Don’t Miss – New York: Eric Fischl, Early Paintings, at Skarstedt Gallery through June 18th

Thursday, June 16th, 2011

Go See – Berlin: Eric Fischl at Jablonka Galerie Through July 15, 2009

Tuesday, June 23rd, 2009

Go See: Eric Fischl ‘Ten Breaths’ at Mary Boone Gallery, Chelsea, New York, through December 20, 2008

Saturday, December 6th, 2008

Eric Fischl

Sunday, March 2nd, 2008

New York – “The Big Picture: Desiderio, Fischl, Rauch, Saville, Tansey” at New York Academy of Art Through March 9th, 2014

Saturday, March 1st, 2014

Fischl Tells All in New Book on 1980’s New York Art World

Sunday, April 7th, 2013

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

London – AO Preview: Frieze Art Fair in Regent’s Park, October 15th – 18th, 2014

Monday, October 13th, 2014

Living Artists

Thursday, July 7th, 2011

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

AO On Site – New York: The New York Academy of Art’s 19th Annual “Take Home a Nude” Benefit at Sotheby’s October 18, 2010

Tuesday, October 19th, 2010

Don't Miss – Your History Is Not Our History at Haunch of Venison, New York through May 1, 2010

Monday, April 26th, 2010

Newslinks for Tuesday October 20th, 2009

Tuesday, October 20th, 2009

AO On Site – The New York Academy of Art 18th Annual Take Home a Nude at Sotheby’s October 7th, 2009

Monday, October 12th, 2009

Go See – Milwaukee: "Warhol's Last Decade" at Milwaukee Art Museum, through January 3, 2010

Sunday, October 11th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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