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Los Angeles – Francesco Vezzoli: “Cinema Vezzoli” at MOCA Through August 11th, 2014

Thursday, June 5th, 2014

Rome: Francesco Vezzoli: “Galleria Vezzoli” at MAXXI, through November 24th 2013

Monday, November 25th, 2013

AO On Site – New York: Francesco Vezzoli ‘Sacrilegio’ at Gagosian Gallery 21st Street, opened Saturday, February 5th, running through March 12, 2011

Tuesday, February 8th, 2011

AO On Site – Stockholm: Dali Dali featuring Francesco Vezzoli at the Moderna Museet through January 17th 2010

Monday, January 11th, 2010

Go See: GREED, A New Fragrance by Francesco Vezzoli at Gagosian Gallery in Rome through March 21, 2009

Thursday, February 19th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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