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New York – LA Invitational at Gagosian Gallery Through December 16th, 2017

Sunday, November 19th, 2017

Mary Weatherford Now Represented by Gagosian Gallery

Sunday, October 15th, 2017

New York- Carsten Höller: “REASON” at Gagosian Gallery through September 1, 2017

Monday, August 21st, 2017

Jia Aili Now Represented by Gagosian Gallery

Saturday, July 8th, 2017

New York – Anselm Kiefer: “Transition from Cool to Warm” at Gagosian Gallery Through July 14th, 2017

Wednesday, July 5th, 2017

New York: Robert Therrien at Gagosian Gallery Through May 26th, 2017

Wednesday, May 24th, 2017

Los Angeles – Joe Bradley: “Eric’s Hair” at Gagosian Gallery Through April 8th, 2017

Sunday, April 2nd, 2017

New York – Katharina Grosse at Gagosian Gallery through March 11th, 2017

Thursday, February 9th, 2017

Brice Marden Joins Gagosian Gallery

Friday, January 13th, 2017

London – Mark Grotjahn: “Pink Cosco” at Gagosian Gallery through September 17th, 2016

Wednesday, September 7th, 2016

Los Angeles – Ed Ruscha: “Books and Co.” and “Prints and Photographs” at Gagosian Gallery Through September 9th, 2016

Monday, September 5th, 2016

San Francisco – “Plane.Site” at Gagosian Gallery Through August 27th, 2016

Sunday, August 7th, 2016

New York – Richard Serra on View at Gagosian Gallery Through October 22nd, 2016

Friday, July 29th, 2016

Gagosian Gallery Agrees to Pay Over $4 Million in Back Taxes

Thursday, July 21st, 2016

London – Walter de Maria at Gagosian Gallery Through July 30th, 2016

Thursday, June 23rd, 2016

Richard Prince Reportedly Breaks Ties with Gagosian Gallery

Monday, June 13th, 2016

London – Jenny Saville: “Erota” at Gagosian Gallery Through July 9th, 2016

Monday, May 30th, 2016

San Francisco Move by Gagosian Gallery Profiled in NYT

Friday, May 6th, 2016

Los Angeles – Alex Israel and Brett Easton Ellis at Gagosian Gallery Through April 23rd, 2016

Thursday, April 21st, 2016

New York – Urs Fischer: “Misunderstandings in the Quest for the Universal” at Gagosian Gallery Through April 23rd, 2016

Thursday, April 7th, 2016

New York – Taryn Simon: “Paperwork and the Will of Capital” at Gagosian Gallery Through March 26th, 2016

Thursday, March 24th, 2016

Gagosian Gallery Opening in San Francisco

Friday, March 11th, 2016

London – Albert Oehlen at Gagosian Gallery through March 24th, 2016

Thursday, March 10th, 2016

New York – Chris Burden: “Bridges” at Gagosian Park & 75 Through February, 20, 2016 and “Buddha’s Fingers” at Gagosian Gallery Madison Ave Through March 12th, 2016

Friday, February 19th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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Getty Museum Survives Brutal California Wildfires

December 13th, 2017

Getty, via ReutersThe Getty has survived a week of chaotic wildfires, keeping its collection intact while flames raged around the museum by wetting the surrounding hills with water and closing off all air intake valves. “By putting all these bells and whistles in, we are able to wet down our hillsides, close intake valves and keep smoke and debris out,” says Linda Somerville, assistant director of insurance and risk management for the J. Paul Getty Trust.
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The Frick Collection Acquires First Work in 30 Years

December 13th, 2017

François-Pascal-Simon Gérard, via ArtforumThe Frick Collection has acquired its first work since 1991, a 7-feet-tall portrait of Prince Camillo Borghese by François-Pascal-Simon Gérard, Artforum reports. “The last opportunity the Frick had to purchase a major French School painting was nearly thirty years ago, with the acquisition of [Jean-Antoine] Watteau’s Portal of Valenciennes,” director Ian Wardropper says. “Today, it is deeply rewarding to have the rare opportunity to bring to the museum such an important work as this one, a historic portrait we feel would have compelled Henry Clay Frick. While the portrait has been shown in Rome, it has never been seen publicly in America.”


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