Search Results

New York – Anne Truitt at Matthew Marks & John McCracken at David Zwirner, A Comparative Study

Saturday, October 19th, 2013

Obituary: John McCracken (1934-2011)

Monday, April 11th, 2011

Go See – Turin: John McCracken at Castello di Rivoli through June 19th 2011

Friday, February 25th, 2011

Go See – New York: John McCracken’s ‘New Works in Bronze and Steel’ at David Zwirner through October 23, 2010

Sunday, October 3rd, 2010

Go See – New York: “6 works, 6 rooms” John McCracken, Fred Sandback, On Kowara, Dan Flavin, Sol Lewitt, Richard Serra on view at David Zwirner Gallery through August 14th, 2009

Monday, July 20th, 2009

John McCracken

Tuesday, November 25th, 2008

Go See: John McCracken at David Zwirner NYC, through October 18

Thursday, September 25th, 2008

John McCraken

Tuesday, November 25th, 2008

John McCraken

Tuesday, November 25th, 2008

New York – Summer Group Show at Marian Goodman Gallery Through July 31st, 2015

Wednesday, July 15th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

AO Preview – Art Basel Hong Kong, May 15th – 18th, 2014

Tuesday, May 13th, 2014

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site Photoset – New York: Frieze Art Fair Summary at Randall’s Island Park, May 4-7, 2012

Thursday, May 10th, 2012

AO On Site – Los Angeles: Pacific Standard Time Crosscurrents in L.A. Painting and Sculpture, 1950-1970 at the J. Paul Getty Museum through February 5, 2012

Thursday, January 12th, 2012

Living Artists

Thursday, July 7th, 2011

Go See – New York – Donald Judd at David Zwirner Gallery through June 25th, 2011

Saturday, June 18th, 2011

AO on site Photoset (2 of 3) – Art Basel 42: Art Basel 2011, The Main Fair

Thursday, June 16th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with Photoset) of “Venice in Venice”

Friday, June 3rd, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

Go See – London: ‘BOULE TO BRAID’ at Lisson Gallery Through August 15, 2009

Sunday, July 19th, 2009

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
Read More »

Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
Read More »

Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
Read More »