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New York – Kara Walker: “Sikkema Jenkins and Co. is Compelled to present The most Astounding and Important Painting show of the fall Art Show viewing season!” at Sikkema Jenkins Through October 14th, 2017

Saturday, October 14th, 2017

Kara Walker Profiled in New York Magazine

Monday, April 17th, 2017

Kara Walker Appointed Tepper Chair at Rutgers School of ARts

Friday, September 25th, 2015

Kara Walker Interviewed in WSJ

Friday, November 7th, 2014

New York – Kara Walker: “A Subtlety” at The Domino Sugar Factory Through July 6th, 2014

Thursday, July 3rd, 2014

Kara Walker Profiled in The Economist

Friday, May 16th, 2014

Photoset: The Creative Time Gala Honoring Kara Walker at The Domino Sugar Factory, May 6th, 2014

Wednesday, May 7th, 2014

Kara Walker Preps Domino Sugar Factory Installation

Sunday, April 27th, 2014

Creative Time Announces Kara Walker’s Domino Sugar Factory Installation to Open May 10th

Sunday, March 2nd, 2014

Don’t miss – New York: Kara Walker, “Dust Jackets for the Niggerati—and Supporting Dissertations, Drawings submitted ruefully by Dr. Kara E. Walker.” at Sikkema Jenkins & Co. Through June 4th, 2011

Friday, May 27th, 2011

AO On Site – New York: Kara Walker “Fall Frum Grace, Miss Pipi’s Blue Tale” at Lehmann Maupin through June 4, 2011

Saturday, April 23rd, 2011

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009

Kara Walker

Thursday, January 3rd, 2008

Kara Walker now open at Whitney

Friday, October 12th, 2007

London – Kara Elizabeth Walker: “Negress” at Camden Arts Centre Through January 5th, 2014

Thursday, November 7th, 2013

New York – Jason Moran: “STAGED” at Luhring Augustine Through July 29th, 2016

Sunday, July 24th, 2016

New York – Catherine Opie: “Portraits and Landscapes” and “700 Nimes Road” at Lehmann Maupin Through February 20th, 2016

Wednesday, February 10th, 2016

New York – “Hello Walls” at Gladstone Gallery Through July 31st, 2015

Monday, July 13th, 2015

Anne Pasternak Named Head of Brooklyn Museum

Wednesday, May 20th, 2015

2014 Art Critics Association Awards Announced

Wednesday, April 29th, 2015

2015 Venice Biennale Artists Announced

Friday, March 6th, 2015

W Magazine Publishes List of the “Who’s Who” in the Art World

Tuesday, July 1st, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jeff Koons Gift to Paris Rebuffed by Citizens

January 21st, 2018

Jeff Koons, via Art NewspaperThe Art Newspaper reports on Parisians’ response to Jeff Koons massive tulips installation offered to the city of Paris. “Placing this artwork in front of the Palais de Tokyo would taint the museum and take up too much of its landscape. Jeff Koons had enough attention with his installations at the Château de Versailles [in 2008-09] without resorting to benefit from the memory of the Paris attacks,” one citizen says.
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Kurt Schwitters’s Merz Barn May Go Up for Sale

January 21st, 2018

Kurt Schwitters' Merz Barn, via BBCKurt Schwitters’s Merz Barn in Elterwater is up for sale.  “Our fear is that we’ll be forced into selling it to a property developer,” owner Ian Hunter says. “We feel that we’ve been pushed into this situation by the Arts Council.”
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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