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LA Times Profiles Fundraising Efforts at LACMA

Tuesday, July 3rd, 2018

LACMA Partners with Arizona State to Create Curator Program Encouraging Diversity and New Voices

Thursday, May 10th, 2018

LACMA’s Collectors Committee Weekend Sees Focus on Women Artists

Monday, April 23rd, 2018

Collector Budi Tek Gives Collection to Foundation Run in Partnershipwith LACMA

Thursday, March 29th, 2018

Jimmy Iovine Donates Massive Mark Bradford Work to LACMA

Friday, February 16th, 2018

Leonardo DiCaprio Funds Replacement of Lights in Chris Burden’s LACMA Sculpture

Monday, February 12th, 2018

LACMA Looks to Expand in South LA

Wednesday, January 24th, 2018

Los Angeles – Richard Prince: “Untitled (Cowboy)” AT LACMA Through March 25th, 2018

Tuesday, January 9th, 2018

LACMA Changes Admission Structure, Eliminating Special Tickets

Thursday, November 16th, 2017

LACMA Gets $150 Million Pledge for Renovation from David Geffen

Wednesday, October 4th, 2017

LACMA Adds New Board Members

Tuesday, June 13th, 2017

LACMA Launches Kickstarter to Bring Egg-Shaped Museum to LA from Guatemala City

Friday, June 9th, 2017

Vision for LACMA Expansion Explored in LA Times Piece

Friday, May 26th, 2017

Peter Zumthor Unveils New Plans for LACMA Expansion

Monday, April 10th, 2017

LACMA Acquires Random International’s ‘Rain Room’

Sunday, January 29th, 2017

Michael Govan’s LACMA Renovation Efforts Profiled in NYT

Wednesday, January 18th, 2017

Details and Renderings Emerge of LACMA Expansion

Wednesday, November 16th, 2016

Businessman Eric Smidt Gives $25 Million Gift to LACMA

Monday, October 31st, 2016

Los Angeles – Agnes Martin at LACMA Through September 11th, 2016

Tuesday, August 23rd, 2016

LACMA Attendance Grows to 1.4 Million Visitors Yearly

Saturday, July 16th, 2016

LACMA Acquires Selection of Works from Gemini G.E.L.

Tuesday, July 12th, 2016

LACMA Receives Major $75 Million Donation for Expansion Plans

Thursday, April 28th, 2016

LACMA Acquires Masterpiece John Lautner Home in Beverly Hills

Friday, February 19th, 2016

Los Angeles – Diana Thater: “The Sympathetic Imagination” at LACMA Through February 21st, 2016

Thursday, February 18th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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