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London – Marcel Broodthaers: Un Jardin D’Hiver at Hauser & Wirth Through November 18th, 2017

Monday, November 13th, 2017

Bologna: Marcel Broodthaers ‘L’espace de l’écriture’ at the Museo de Arte Moderna di Bologna through May 6, 2012

Saturday, March 31st, 2012

Don’t Miss- New York: Marcel Broodthaers “Major Works” at Michael Werner through November 13, 2010

Wednesday, November 10th, 2010

Go See – New York: Marcel Broodthaers ‘Ne dites pas que je ne l’ai pas dit – Le Perroquet (1974)’ at Peter Freeman, Inc. through December 23, 2009

Sunday, November 22nd, 2009

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

AO Preview – New York: Armory Week, March 1st – 6th, 2016

Tuesday, March 1st, 2016

AO On-Site: Art Basel at Messe Basel, June 18th-21st, 2015

Thursday, June 18th, 2015

AO On-Site – Venice: “All the World’s Futures” at the Giardini in Venice Through November 22nd, 2015

Saturday, May 9th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

AO Interview With Artist Liliana Porter, Pinta New York’s Invited Artist for 2012, November 15th – 18th, 2012

Thursday, November 15th, 2012

AO Auction Results – London: Christie’s Post-War and Contemporary Art Evening Auction, June 27, 2012

Thursday, June 28th, 2012

Berlin: Robert Longo ‘Stand’ at Capitain Petzel Berlin through June 16, 2012

Wednesday, May 23rd, 2012

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of François Pinault Foundation’s “In Praise of Doubt” at Punta della Dogana, through December 31, 2011

Monday, June 6th, 2011

Go See – New York: Paul Thek “Diver: A Retrospective” at the Whitney Museum through January 9th, 2011

Monday, December 27th, 2010

Go See – New York: In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976' at MoMA, through October 5, 2009

Friday, September 11th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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