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Matthew Barney Discusses New Film in Art News

Friday, March 1st, 2019

New York — Matthew Barney: “Facility of DECLINE” at Gladstone Gallery Through October 22nd, 2016

Friday, October 21st, 2016

Matthew Barney to Reprise 1991 Works from “Blind Perineum” at Gladstone

Sunday, July 24th, 2016

Matthew Barney Interviewed in New York Times

Sunday, September 20th, 2015

Matthew Barney Retrospective to Open this Fall at MoCA

Wednesday, March 11th, 2015

Matthew Barney Interviewed in The Guardian

Tuesday, June 17th, 2014

Matthew Barney and Gaspar Noé in Conversation for BOMB Magazine

Thursday, April 3rd, 2014

New York – The World Premiere of Matthew Barney and Jonathan Bepler’s “River of Fundament” at BAM

Sunday, March 2nd, 2014

Matthew Barney Interviewed in New York Times Magazine

Sunday, February 9th, 2014

Matthew Barney’s “River of Fundament” to Premiere at BAM in mid-February

Saturday, January 18th, 2014

Matthew Barney Seeks Extras For New Film

Thursday, June 27th, 2013

Matthew Barney Designs Skateboard for Juxtapoz Magazine

Monday, January 14th, 2013

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

Go See – Basel: Matthew Barney's 'Prayer Sheet with the Wound and the Nail' at the Schaulager through October 3rd 2010

Friday, June 25th, 2010

Don't Miss – London: Matthew Barney at Sadie Coles through March 6th 2010

Tuesday, March 2nd, 2010

Matthew Barney and Elizabeth Peyton debut “Blood of Two,” a performance art collaboration in a former slaughterhouse on Hydra Island, Greece

Friday, June 19th, 2009

Go See: Matthew Barney’s ‘Ancient Evenings: Libretto’ at Gladstone Gallery in Brussels through May 9, 2009

Tuesday, April 7th, 2009

A death metal pig roast at Matthew Barney’s studio

Wednesday, August 20th, 2008

Don’t Miss – Matthew Barney in L.A. at Regen

Tuesday, January 8th, 2008

Matthew Barney

Thursday, January 3rd, 2008

Don’t Miss: Matthew Barney

Thursday, November 8th, 2007

MoCA Receives Major Gift of Twenty-Two Contemporary Works

Thursday, March 2nd, 2017

Anicka Yi Wins the 2016 Hugo Boss Prize at the Guggenheim

Friday, October 21st, 2016

New York – Catherine Opie: “Portraits and Landscapes” and “700 Nimes Road” at Lehmann Maupin Through February 20th, 2016

Wednesday, February 10th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

U.S. Tariffs Ruling Could Affect Buyers of Prints and Lithographs

October 11th, 2019

A decision in a trade dispute between the US and the EU could cause a price hike for American buyers of photographs and prints. “Because the tariffs apply to lithographs and photographs printed in the last twenty years, they will also have a considerable impact on living artists, who rely on galleries as an important vehicle to sell their works and to foster cultural exchange,” a statement from the ADAA says. “Additionally problematic is the short time between the WTO’s decision and the tariffs’ enforcement, leaving small businesses little time to prepare and adapt.”
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Cortauld Institute to Create New Teaching Posts for Contemporary African Art

October 11th, 2019

The Courtauld Institute of Art in London is creating two new permanent teaching posts in modern and contemporary art of Africa and the African diaspora, after a $750,000 grant in funding from the New York-based Andrew W. Mellon Foundation. “The grant from the Andrew W. Mellon Foundation will help further develop the Courtauld’s robust research program that focuses attention on migration, diversity, and artists who have been marginalised by curricula and arts institutions,” the institute said in a statement.
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David Zwirner Anticipates Over 100,000 Visitors for New Yayoi Kusama Show

October 11th, 2019

David Zwirner Gallery is expecting over 100,000 visitors to its show of new works by Yayoi Kusama, including a new Infinity Room by the artist. “Every time Kusama has a show, whether it’s in a museum or a gallery, attendance grows,” says senior partner Hanna Schouwink. “The interest in her work continues to grow. People always think, ‘If I come Tuesday, there won’t be lines.’ For sure, there will always be lines.”
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