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New York — Matthew Barney: “Facility of DECLINE” at Gladstone Gallery Through October 22nd, 2016

Friday, October 21st, 2016

Matthew Barney to Reprise 1991 Works from “Blind Perineum” at Gladstone

Sunday, July 24th, 2016

Matthew Barney Interviewed in New York Times

Sunday, September 20th, 2015

Matthew Barney Retrospective to Open this Fall at MoCA

Wednesday, March 11th, 2015

Matthew Barney Interviewed in The Guardian

Tuesday, June 17th, 2014

Matthew Barney and Gaspar Noé in Conversation for BOMB Magazine

Thursday, April 3rd, 2014

New York – The World Premiere of Matthew Barney and Jonathan Bepler’s “River of Fundament” at BAM

Sunday, March 2nd, 2014

Matthew Barney Interviewed in New York Times Magazine

Sunday, February 9th, 2014

Matthew Barney’s “River of Fundament” to Premiere at BAM in mid-February

Saturday, January 18th, 2014

Matthew Barney Seeks Extras For New Film

Thursday, June 27th, 2013

Matthew Barney Designs Skateboard for Juxtapoz Magazine

Monday, January 14th, 2013

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

Go See – Basel: Matthew Barney's 'Prayer Sheet with the Wound and the Nail' at the Schaulager through October 3rd 2010

Friday, June 25th, 2010

Don't Miss – London: Matthew Barney at Sadie Coles through March 6th 2010

Tuesday, March 2nd, 2010

Matthew Barney and Elizabeth Peyton debut “Blood of Two,” a performance art collaboration in a former slaughterhouse on Hydra Island, Greece

Friday, June 19th, 2009

Go See: Matthew Barney’s ‘Ancient Evenings: Libretto’ at Gladstone Gallery in Brussels through May 9, 2009

Tuesday, April 7th, 2009

A death metal pig roast at Matthew Barney’s studio

Wednesday, August 20th, 2008

Don’t Miss – Matthew Barney in L.A. at Regen

Tuesday, January 8th, 2008

Matthew Barney

Thursday, January 3rd, 2008

Don’t Miss: Matthew Barney

Thursday, November 8th, 2007

MoCA Receives Major Gift of Twenty-Two Contemporary Works

Thursday, March 2nd, 2017

Anicka Yi Wins the 2016 Hugo Boss Prize at the Guggenheim

Friday, October 21st, 2016

New York – Catherine Opie: “Portraits and Landscapes” and “700 Nimes Road” at Lehmann Maupin Through February 20th, 2016

Wednesday, February 10th, 2016

New York – “Storylines” at the Guggenheim Museum Through September 9th, 2015

Wednesday, August 26th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Atelier Van Lieshout Work to Go to Centre Pompidou

October 17th, 2017

Atelier Van Lieshout, via NYTDesign group Atelier Van Lieshout’s Domestikator sculpture, originally deemed too lewd for an installation outside the Louvre, will go on view outside the Centre Pompidou.“To have this major piece in front of the Pompidou is a victory,” says Julien Lombrail, director of the London-based gallery Carpenters Workshop, which represents the artists. “It’s an incredible moment for Paris and the public when we have so many issues surrounding art and censorship. It’s important for us to engage for the future.”
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New York Times Spotlights Challenges for Fall Auction Calendar

October 17th, 2017

Francis Bacon in London, via NYTA piece in the New York Times notes the growing stature of the London Contemporary Art auctions each October, and the challenges of two sets of major auctions each fall focusing on marquee works between New York and London. “There’s a volume issue,” says advisor Anthony McNerney of this month’s sales in the British capital. “A lot of collectors were feeling ‘art blind.’ ”
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Never-Before-Auctioned Léger Leads Christie’s Auction with $65 Million Estimate

October 17th, 2017

Fernand Leger, via NYTFernand Léger’s Contraste de formes, a work which has never been auctioned, will go on sale at Christie’s next month in New York, carrying with it an estimate of $65 million.  The price would set a new record for the artist. “Executed just months before the First World War, Contraste de formes, with its groundbreaking abstract conception and its thrillingly preserved physical state, is without question a major work of Modern Art,” says Conor Jordan, deputy chairman of Impressionist and modern art at Christie’s.
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