Search Results

New York — Matthew Barney: “Facility of DECLINE” at Gladstone Gallery Through October 22nd, 2016

Friday, October 21st, 2016

Matthew Barney to Reprise 1991 Works from “Blind Perineum” at Gladstone

Sunday, July 24th, 2016

Matthew Barney Interviewed in New York Times

Sunday, September 20th, 2015

Matthew Barney Retrospective to Open this Fall at MoCA

Wednesday, March 11th, 2015

Matthew Barney Interviewed in The Guardian

Tuesday, June 17th, 2014

Matthew Barney and Gaspar Noé in Conversation for BOMB Magazine

Thursday, April 3rd, 2014

New York – The World Premiere of Matthew Barney and Jonathan Bepler’s “River of Fundament” at BAM

Sunday, March 2nd, 2014

Matthew Barney Interviewed in New York Times Magazine

Sunday, February 9th, 2014

Matthew Barney’s “River of Fundament” to Premiere at BAM in mid-February

Saturday, January 18th, 2014

Matthew Barney Seeks Extras For New Film

Thursday, June 27th, 2013

Matthew Barney Designs Skateboard for Juxtapoz Magazine

Monday, January 14th, 2013

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

Go See – Basel: Matthew Barney's 'Prayer Sheet with the Wound and the Nail' at the Schaulager through October 3rd 2010

Friday, June 25th, 2010

Don't Miss – London: Matthew Barney at Sadie Coles through March 6th 2010

Tuesday, March 2nd, 2010

Matthew Barney and Elizabeth Peyton debut “Blood of Two,” a performance art collaboration in a former slaughterhouse on Hydra Island, Greece

Friday, June 19th, 2009

Go See: Matthew Barney’s ‘Ancient Evenings: Libretto’ at Gladstone Gallery in Brussels through May 9, 2009

Tuesday, April 7th, 2009

A death metal pig roast at Matthew Barney’s studio

Wednesday, August 20th, 2008

Don’t Miss – Matthew Barney in L.A. at Regen

Tuesday, January 8th, 2008

Matthew Barney

Thursday, January 3rd, 2008

Don’t Miss: Matthew Barney

Thursday, November 8th, 2007

MoCA Receives Major Gift of Twenty-Two Contemporary Works

Thursday, March 2nd, 2017

Anicka Yi Wins the 2016 Hugo Boss Prize at the Guggenheim

Friday, October 21st, 2016

New York – Catherine Opie: “Portraits and Landscapes” and “700 Nimes Road” at Lehmann Maupin Through February 20th, 2016

Wednesday, February 10th, 2016

New York – “Storylines” at the Guggenheim Museum Through September 9th, 2015

Wednesday, August 26th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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Getty Museum Survives Brutal California Wildfires

December 13th, 2017

Getty, via ReutersThe Getty has survived a week of chaotic wildfires, keeping its collection intact while flames raged around the museum by wetting the surrounding hills with water and closing off all air intake valves. “By putting all these bells and whistles in, we are able to wet down our hillsides, close intake valves and keep smoke and debris out,” says Linda Somerville, assistant director of insurance and risk management for the J. Paul Getty Trust.
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The Frick Collection Acquires First Work in 30 Years

December 13th, 2017

François-Pascal-Simon Gérard, via ArtforumThe Frick Collection has acquired its first work since 1991, a 7-feet-tall portrait of Prince Camillo Borghese by François-Pascal-Simon Gérard, Artforum reports. “The last opportunity the Frick had to purchase a major French School painting was nearly thirty years ago, with the acquisition of [Jean-Antoine] Watteau’s Portal of Valenciennes,” director Ian Wardropper says. “Today, it is deeply rewarding to have the rare opportunity to bring to the museum such an important work as this one, a historic portrait we feel would have compelled Henry Clay Frick. While the portrait has been shown in Rome, it has never been seen publicly in America.”


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