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London – “The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns” through June 9th, 2013, Barbican London

Friday, June 7th, 2013

AO On-Site – Basel: Liste Art Fair at Warteck, June 13th – 18th, 2017

Thursday, June 15th, 2017

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 15th – 18th, 2017

Tuesday, June 13th, 2017

New York – Tacita Dean : ‘…my English breath in foreign clouds’ at Marian Goodman, New York Through April 23, 2016

Saturday, April 23rd, 2016

New York – Charles Atlas: “The Waning of Justice” at Luhring Augustine Through March 14th, 2015

Tuesday, March 10th, 2015

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

London – Charles Atlas: “Glacier” at Bloomberg SPACE Through March 30th, 2013

Saturday, March 30th, 2013

London – Robert Rauschenberg: “Jammers” at Gagosian Gallery, through March 28th 2013

Saturday, March 23rd, 2013

AO On Site – New York: Charles Atlas Performance at Whitney Biennial, April 20–21, 2012

Tuesday, April 24th, 2012

Los Angeles: Daniel Arsham 'the fall, the ball, and the wall' at OHWOW Gallery through February 16, 2012

Sunday, February 12th, 2012

Sunday, August 14th, 2011

AO News Summary – London: Tacita Dean awarded Unilever Commission for Tate Modern’s Turbine Hall

Wednesday, December 15th, 2010

Go See-London: Tacita Dean’s Craneway Event at Frith Street Gallery through June 23, 2010

Saturday, May 15th, 2010

AO On Site Auction Results – New York: Sotheby’s Post-War and Contemporary Sale Tuesday November 11, 2009 – Only Two Lots Go Unsold in a highly successful Sale Dominated by Warhol

Thursday, November 12th, 2009

AO On Site Auction Results – New York: Christie’s Post-War and Contemporary Sale Tuesday November 10, 2009 – Top Lots Go Unsold

Wednesday, November 11th, 2009

Newslinks for Tuesday, November 10th, 2009

Tuesday, November 10th, 2009

AO Auction Preview – New York: The Fall Contemporary Auctions Begin Tonight at Christie’s

Tuesday, November 10th, 2009

AO Onsite – “Devil’s Heaven,” The 2013 Watermill Center Summer Benefit

Wednesday, July 31st, 2013

AO On Site (with photoset) – New York: Benefit for The Foundation for Contemporary Arts held at Lehmann Maupin Gallery, Lower East Side, Thursday, December 9th, 2010

Friday, December 10th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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