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Mike Kelley Foundation Announces 2018 Artist Funding Recipients

Thursday, April 12th, 2018

Los Angeles – Mike Kelley: “Kandors 1999 – 2011″ at Hauser & Wirth Through January 21st, 2018

Tuesday, December 26th, 2017

Catherine Opie Joins Board of Mike Kelley Foundation

Sunday, December 3rd, 2017

Mike Kelley’s ‘Mobile Homestead Profiled in NYT’

Thursday, March 9th, 2017

New York – Mike Kelley: “Kandors” at Venus Over Manhattan Through January 28th, 2017

Friday, January 27th, 2017

New York — Mike Kelley: “Memory Ware” at Hauser & Wirth Through December 23rd, 2016

Friday, December 23rd, 2016

Market for Mike Kelley’s Memory Ware Examined in Art Market Monitor

Thursday, December 22nd, 2016

New York – Mike Kelley: “Shaped Paintings” at Skarstedt Gallery Through June 25th, 2016

Tuesday, May 10th, 2016

Mike Kelley Foundation Funds Mini-Golf Piece Examining Urban Zoning in LA

Tuesday, May 3rd, 2016

New York – Mike Kelley at Hauser and Wirth Through October 24th, 2015

Saturday, September 19th, 2015

Hauser and Wirth to Represent Mike Kelley Foundation

Friday, January 30th, 2015

Opening Ceremony Releases Line of Mike Kelley T-Shirts

Friday, April 11th, 2014

The Challenges of Moving Mike Kelley’s Career Retrospective

Sunday, March 2nd, 2014

New York – Mike Kelley at MoMA PS1 Through February 2nd, 2014

Wednesday, November 6th, 2013

PS1 to Host Major Retrospective for Mike Kelley

Tuesday, August 13th, 2013

Milan – Mike Kelley: “Eternity is a Long Time” at HangarBicocca Through September 8th, 2013

Tuesday, June 11th, 2013

Mike Kelley’s “Mobile Homestead” to Open in Detroit

Wednesday, April 17th, 2013

Mike Kelley Dies from Apparent Suicide in Los Angeles at the age of 57

Wednesday, February 1st, 2012

Go See – Los Angeles: Mike Kelley at the Gagosian Gallery Beverly Hills through February 19th, 2011

Monday, January 17th, 2011

Go See – New York City: Mike Kelley ‘Arenas,’ Skarstedt Gallery through June 25th, 2010

Thursday, May 27th, 2010

Go See – New York: Mike Kelley "Horizontal Tracking Shots" at the Gagosian Gallery through December 23rd, 2009

Saturday, November 14th, 2009

AO On Site: ‘Koons Kelley Koh’ curated by Javier Peres at Mary Boone Gallery in Chelsea, Saturday, March 4th, show runs through May 16, 2009

Friday, April 10th, 2009

AO Auction Results – New York: Phillips 20th Century and Contemporary Evening Sale, November 16th, 2017

Thursday, November 16th, 2017

New York — Philippe Vandenberg Is On View at Hauser & Wirth Through July 28, 2017

Friday, July 28th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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