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Los Angeles – Mike Kelley: “Kandors 1999 – 2011″ at Hauser & Wirth Through January 21st, 2018

Tuesday, December 26th, 2017

Catherine Opie Joins Board of Mike Kelley Foundation

Sunday, December 3rd, 2017

Mike Kelley’s ‘Mobile Homestead Profiled in NYT’

Thursday, March 9th, 2017

New York – Mike Kelley: “Kandors” at Venus Over Manhattan Through January 28th, 2017

Friday, January 27th, 2017

New York — Mike Kelley: “Memory Ware” at Hauser & Wirth Through December 23rd, 2016

Friday, December 23rd, 2016

Market for Mike Kelley’s Memory Ware Examined in Art Market Monitor

Thursday, December 22nd, 2016

New York – Mike Kelley: “Shaped Paintings” at Skarstedt Gallery Through June 25th, 2016

Tuesday, May 10th, 2016

Mike Kelley Foundation Funds Mini-Golf Piece Examining Urban Zoning in LA

Tuesday, May 3rd, 2016

New York – Mike Kelley at Hauser and Wirth Through October 24th, 2015

Saturday, September 19th, 2015

Hauser and Wirth to Represent Mike Kelley Foundation

Friday, January 30th, 2015

Opening Ceremony Releases Line of Mike Kelley T-Shirts

Friday, April 11th, 2014

The Challenges of Moving Mike Kelley’s Career Retrospective

Sunday, March 2nd, 2014

New York – Mike Kelley at MoMA PS1 Through February 2nd, 2014

Wednesday, November 6th, 2013

PS1 to Host Major Retrospective for Mike Kelley

Tuesday, August 13th, 2013

Milan – Mike Kelley: “Eternity is a Long Time” at HangarBicocca Through September 8th, 2013

Tuesday, June 11th, 2013

Mike Kelley’s “Mobile Homestead” to Open in Detroit

Wednesday, April 17th, 2013

Mike Kelley Dies from Apparent Suicide in Los Angeles at the age of 57

Wednesday, February 1st, 2012

Go See – Los Angeles: Mike Kelley at the Gagosian Gallery Beverly Hills through February 19th, 2011

Monday, January 17th, 2011

Go See – New York City: Mike Kelley ‘Arenas,’ Skarstedt Gallery through June 25th, 2010

Thursday, May 27th, 2010

Go See – New York: Mike Kelley "Horizontal Tracking Shots" at the Gagosian Gallery through December 23rd, 2009

Saturday, November 14th, 2009

AO On Site: ‘Koons Kelley Koh’ curated by Javier Peres at Mary Boone Gallery in Chelsea, Saturday, March 4th, show runs through May 16, 2009

Friday, April 10th, 2009

AO Auction Results – New York: Phillips 20th Century and Contemporary Evening Sale, November 16th, 2017

Thursday, November 16th, 2017

New York — Philippe Vandenberg Is On View at Hauser & Wirth Through July 28, 2017

Friday, July 28th, 2017

New York — Tetsumi Kudo at Andrea Rosen Gallery Through November 16th, 2016

Wednesday, November 16th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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