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Los Angeles – Raymond Pettibon: “Pacific Ocean Pop” at Regen Projects Through October 31st, 2020

Monday, October 26th, 2020

Paris – Raymond Pettibon: “Frenchette” at David Zwirner Through November 23rd, 2019

Wednesday, October 23rd, 2019

Raymond Pettibon Featured in GQ

Wednesday, February 27th, 2019

New York – Raymond Pettibon: “A Pen of All Work” at the New Museum Through April 9th, 2017

Tuesday, March 14th, 2017

Artnet Examines Market for Raymond Pettibon

Monday, February 20th, 2017

Raymond Pettibon Profiled in New York Times

Monday, January 2nd, 2017

London-Marcel Dzama and Raymond Pettibon, “Let us compare mythologies” at David Zwirner Gallery through November 12, 2016

Sunday, November 13th, 2016

New Museum to Show Major Raymond Pettibon Exhibition

Monday, August 29th, 2016

London-Raymond Pettibon at Sadie Coles HQ through August 20, 2016

Friday, August 12th, 2016

New York – Marcel Dzama and Raymond Pettibon: “Forgetting the Hand” at David Zwirner Through February 20th, 2016

Saturday, January 30th, 2016

Raymond Pettibon Latest Artist in Supreme Collaboration Series

Wednesday, September 17th, 2014

New York – Raymond Pettibon: “Are Your Motives Pure? Surfers 1985-2013” at Venus Over Manhattan Through May 17th, 2014

Friday, May 16th, 2014

Raymond Pettibon Interviewed in The Guardian

Tuesday, December 17th, 2013

New York – Raymond Pettibon: “To Wit” at David Zwirner, Through October 26th 2013

Saturday, October 26th, 2013

The Wall Street Journal Interviews Raymond Pettibon

Friday, September 13th, 2013

Go See – Los Angeles: Raymond Pettibon ‘Desire in Pursuyt of the Whole’ at Regen Projects through December 22, 2011

Wednesday, November 23rd, 2011

Go See – Berlin: Anselm Reyle and Raymond Pettibon at Contemporary Fine Arts until June 11th, 2011

Sunday, May 22nd, 2011

AO On Site – New York: “Blankness is Not a Void” Steven Parrino, Raymond Pettibon, and Scott Campbell at Marc Jancou Contemporary through June 4

Monday, May 2nd, 2011

Go See – Brussels: Raymond Pettibon at Gladstone Gallery through July 10, 2010

Sunday, June 13th, 2010

Go See – London: Raymond Pettibon at Sadie Coles HQ through January 9, 2010

Thursday, December 31st, 2009

Go See: Raymond Pettibon ‘Cutting Room Floor Show: Part II’ at Regen Projects, Los Angeles Through January 24th, 2009

Monday, December 22nd, 2008

Go See: Raymond Pettibon “Part I: Seminal Early Works 1978-88″ at Regen Projects, Los Angeles through October 18

Saturday, September 27th, 2008

Go See: Raymond Pettibon at BFAS, Geneva through July 19

Saturday, May 31st, 2008

GO SEE: Raymond Pettibon at Contemporary Fine Arts, Berlin, March 15 – April 26 2008

Wednesday, March 19th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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