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Rijksmuseum Attributes Six New Works to Hercules Segers

Wednesday, September 21st, 2016

de Rothschild Rembrandts on View at Rijksmuseum

Thursday, July 7th, 2016

Rijksmuseum Makes 250,000 Works from Collection Available Online

Friday, July 1st, 2016

Taco Dibbits to Take Helm at Rijksmuseum

Monday, May 30th, 2016

Rijksmuseum Head Leaving Institution for Private Museum

Saturday, March 5th, 2016

Amsterdam – Anish Kapoor & Rembrandt van Rijn at Rijksmuseum Through March 6th, 2016

Sunday, January 10th, 2016

The Rijksmuseum Opens Outdoor Exhibition of Calder Sculptures

Tuesday, June 24th, 2014

Rijksmuseum Identifies 139 Looted Artworks in Collection

Friday, November 1st, 2013

Rijksmuseum Buys Mostaert Painting of Early America

Friday, July 5th, 2013

Rijksmuseum Reopens After 10 Years

Thursday, April 4th, 2013

Economist Explores Implications on Restoration and Appraisal Technology

Friday, January 19th, 2018

Frans Haals Forgery Profiled in NYT

Thursday, October 27th, 2016

Wim Pijbes Quits Post at Museum Voorlinden

Wednesday, September 28th, 2016

Getty and NICAS Partner for Development Program for Conservation Technology

Tuesday, March 22nd, 2016

France Making Efforts to Purchase Rembrandt Work

Monday, September 28th, 2015

Dutch Government Pledges €80 million Towards Rembrandt Portraits

Tuesday, September 22nd, 2015

Frankfurt – Albrecht Dürer: “Dürer: His Art in Context” at the Städel Museum, through February 2nd 2014

Friday, January 31st, 2014

London – “Daumier (1808-1879): Visions of Paris” at Royal Academy of Arts, Burlington House, through January 26th 2014

Friday, December 20th, 2013

To Increase Visitorship, Museums Turn to Digital Distribution

Wednesday, May 29th, 2013

AO Newslink

Thursday, September 6th, 2012

Monday, September 26th, 2011

Don’t Miss – Amsterdam: ‘Taking Place’ at the Stedelijk Museum through January 9th, 2011

Friday, January 7th, 2011

Art News: Damien Hirst’s diamond-encrusted human skull “For The Love of God” to be displayed at the Palazzo Vecchio in Florence until May 2011

Saturday, November 27th, 2010

Go See- New York: "Miró: The Dutch Interiors" at The Metropolitan Museum of Art through January 17, 2011

Wednesday, October 6th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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