Search Results

Los Angeles – Robert Irwin at Sprüth Magers Through April 21st, 2018

Monday, April 9th, 2018

Robert Irwin Profiled in LA Times

Saturday, February 10th, 2018

Robert Irwin Profiled in Art Newspaper

Tuesday, July 26th, 2016

AO On Site, Marfa, TX – Robert Irwin: Debut of “Dawn to Dusk” Permanent Installation at Chinati Foundation

Tuesday, July 26th, 2016

Robert Irwin Profiled in W Magazine as He Opens Permanent Marfa Installation

Sunday, July 24th, 2016

Robert Irwin Profiled in NYT

Sunday, January 3rd, 2016

Robert Irwin Installing Major Commission at Hirshhorn

Friday, November 27th, 2015

London – Robert Irwin: “2 x 2 x 2 x 2″ at White Cube Bermondsey Through November 15th, 2015

Saturday, October 17th, 2015

New York – Robert Irwin: “Cacophonous” at Pace Gallery Through May 9th, 2015

Monday, May 4th, 2015

Cologne – Robert Irwin at Galerie Thomas Zander Through August 23rd, 2014

Tuesday, August 19th, 2014

London – Robert Irwin at Pace London, through August 17th 2013

Monday, August 5th, 2013

New York – Robert Irwin: “Black Rectangle – Scrim Veil – Natural Light” at The Whitney Through September 1st, 2013

Wednesday, July 10th, 2013

New York – Robert Irwin: “Dotting the i’s & Crossing the t’s” at Pace Gallery Through October 20th, 2012

Friday, October 19th, 2012

Go See – New York: The Parallax View featuring Dan Flavin, Eva Hesse, Bruce Nauman, Robert Smithson and others at Lehmann Maupin Gallery, 26th Street, Chelsea through March 19th, 2011

Tuesday, March 15th, 2011

New York – Doug Wheeler: “Encasements” at David Zwirner Through March 5th, 2016

Saturday, February 27th, 2016

Almine Rech and White Cube Both Planning Spaces in New York

Thursday, December 10th, 2015

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 18th-21st, 2015

Monday, June 15th, 2015

Art Basel Releases 74-Artist List for Unlimited Section Next Month

Friday, May 15th, 2015

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

Berlin: Jeppe Hein at St. Agnes Church, Presented by Johann König Through October 20th, 2013

Thursday, October 17th, 2013

London’s Mayfair District Sees New American Neighbors

Tuesday, July 16th, 2013

Paris: Ellsworth Kelly at Galerie Marian Goodman through July 13, 2012

Thursday, July 12th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site Photoset and Video Tour – New York: Tom Sachs ‘SPACE PROGRAM: MARS’ at the Park Avenue Armory through June 17, 2012

Thursday, May 17th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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