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Peter Paul Rubens Sketch Subject to Export Ban

Tuesday, April 10th, 2018

David Rubenstein Tapped to Head Smithsonian Institution

Thursday, October 27th, 2016

Rubens Work Held in Storage for Over 80 Years Goes Back on View at State Hermitage

Tuesday, June 7th, 2016

Dealer Perry Rubenstein Arrested on Criminal Fraud Charges

Saturday, April 23rd, 2016

Recently Authenticated Rubens to Go on View in Antwerp

Tuesday, March 24th, 2015

Early Rubens Discovered in Salem, OR

Tuesday, August 26th, 2014

New York – “Reinventing Abstraction,” Curated by Raphael Rubenstein at Cheim & Read Through August 30th, 2013

Monday, August 19th, 2013

Rubens Drawing Discovered in University of Reading Cupboard

Wednesday, May 29th, 2013

New Rubens painting discovered in Russia

Monday, November 19th, 2012

Sir. Peter Paul Rubens

Tuesday, December 2nd, 2008

Donald Trump to Skip Kennedy Center Honors

Monday, August 21st, 2017

Perry Rubinstein Facing Six Months Jail Time After Plea Deal

Tuesday, May 23rd, 2017

Robert Rauschenberg Profiled in New York Review of Books

Tuesday, April 25th, 2017

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

National Portrait Gallery to Show Rare Set of Old Masters Drawings

Monday, February 20th, 2017

Stolen Paintings Returned to Verona Museum

Saturday, December 24th, 2016

Old Masters Works Struggling in Current Market Landscape

Wednesday, August 31st, 2016

Thirteen Arrested in Connection with Theft at Museum of Castelvecchio

Thursday, March 17th, 2016

Verona Museum Victim of $16 Million Art Theft

Tuesday, November 24th, 2015

Duke University Receives $25 Million Gift for New Arts Building

Thursday, October 8th, 2015

Outcry Over Sale Classic Works in Ireland Halts Christie’s Old Masters Sale

Friday, June 26th, 2015

Yayoi Kusama’s Infinity Rooms Seeing Major Popularity Among Collectors

Tuesday, June 16th, 2015

Fire Damaged Works to Go on View at Bode Museum in Berlin

Friday, March 20th, 2015

Blackstone VP James Tomilson Hill Emerges As Billionaire on Strength of Art Collection

Friday, June 13th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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