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New York – Sue Williams: “Paintings 1997-98″ at Skarstedt Gallery Through April 21st, 2018

Wednesday, March 14th, 2018

New York – Thomas Schütte: “Frauen” at Skarstedt Through December 17th, 2016

Friday, December 16th, 2016

New York – German Paintings: Georg Baselitz, Martin Kippenberger, Albert Oehlen at Skarstedt Gallery Through October 29th, 2016

Tuesday, September 20th, 2016

New York – Mike Kelley: “Shaped Paintings” at Skarstedt Gallery Through June 25th, 2016

Tuesday, May 10th, 2016

New York – “Nice Weather” Curated by David Salle at Skarstedt Gallery Through April 16th, 2016

Wednesday, March 30th, 2016

New York – Willem de Kooning: “de Kooning Sculptures, 1972-1974″ at Skarstedt Through December 19th, 2015

Friday, December 18th, 2015

London – “Childish Things” at Skarstedt Gallery Through November 21st, 2015

Sunday, November 15th, 2015

New York – Georg Baselitz: “Drinkers and Orange Eaters” at Skarstedt Through June 27th, 2015

Thursday, June 25th, 2015

New York – David Salle: “New Paintings” at Skarstedt Gallery Through June 27th, 2015

Tuesday, June 23rd, 2015

New York – Keith Haring: “Heaven and Hell” at Skarstedt Gallery Through April 18th, 2015

Sunday, April 5th, 2015

London – Barbara Kruger: “Early Works” at Skarstedt Through April 11th, 2015

Thursday, March 12th, 2015

New York – George Condo: “Double Heads / Black Paintings / Abstractions” at Skarstedt Gallery Through December 20th, 2014

Wednesday, December 17th, 2014

New York – Summer Exhibition at Skarstedt Gallery Through August 31st, 2014

Sunday, August 31st, 2014

London- “In Homage” at Skarstedt Gallery Through August 8th, 2014

Wednesday, July 30th, 2014

New York – Yves Klein and Andy Warhol: “Fire and Oxidation Paintings” at Skarstedt Chelsea Through June 21st, 2014

Friday, June 13th, 2014

New York – Martin Kippenberger: “The Raft of the Medusa” at Skarstedt Gallery Through April 26th, 2014

Friday, April 25th, 2014

London – George Condo: “Ink Drawings” at Skarstedt Gallery Through April 5th, 2014

Saturday, March 29th, 2014

Skarstedt Gallery Prepares to Open Chelsea Space

Friday, March 21st, 2014

New York – David Salle: “Ghost Paintings” at Skarstedt Gallery Through December 21st, 2013

Sunday, November 17th, 2013

Skarstedt Gallery to Open New Space in Former Haunch of Venison Space

Friday, November 1st, 2013

New York – “Murdered Out” at Skarstedt Gallery, through October 19th 2013

Friday, October 18th, 2013

New York – Robert Mapplethorpe: “Self Portraits” at Skarstedt Gallery, through June 15th 2013

Tuesday, June 11th, 2013

New York – “1980’s Revisited at Skarstedt Gallery NYC through April 6, 2013

Friday, April 5th, 2013

London – “From Figuration” at Skarstedt Gallery Through March 23rd, 2013

Friday, March 22nd, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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