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Go See – Los Angeles: Pacific Standard Time, October 2011 through March 2012

Tuesday, October 11th, 2011

AO On Site: “Friends with Benefits” at Lehmann Maupin through August 10, 2012

Friday, August 10th, 2012

Sunday, January 29th, 2012

AO On Site – Los Angeles: Scott Campbell’s ‘Nobless Oblige’ opening at OHWOW, Saturday, March 19 through April 22, 2011

Sunday, March 20th, 2011

Damien Hirst to reinstate representation with Parisian gallerist Emmanuel Perrotin

Saturday, November 8th, 2008

Go See: Raymond Pettibon “Part I: Seminal Early Works 1978-88″ at Regen Projects, Los Angeles through October 18

Saturday, September 27th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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