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New York – Tom Wesselmannn: “Standing Still-Lifes” at Gagosian Through February 24th, 2018

Monday, January 22nd, 2018

Gagosian and Almine Rech to Share Representation of Tom Wesselmann

Friday, November 25th, 2016

Tom Wesselmann Profiled in NYT

Wednesday, August 24th, 2016

London: Tom Wesselmann “Collages 1959-1964″ at David Zwirner Through March 24th, 2016

Saturday, March 12th, 2016

New York – Tom Wesselman at Mitchell-Innes and Nash Through May 28th, 2016

Tuesday, May 24th, 2016

Study Shows Artists Benefit From Investing in Their Own Work

Saturday, February 10th, 2018

AO Auction Results – London: Sotheby’s Post-War and Contemporary Evening Sale, March 8th, 2017

Wednesday, March 8th, 2017

AO Preview – Mexico City: Visual Art Week; Zona Maco and others, February 8th – 12th, 2017

Monday, February 6th, 2017

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 20th-23rd, 2016

Tuesday, October 18th, 2016

AO Recap – Basel: Art Basel Fair at Messe Basel, June 16th-19th 2016

Sunday, June 19th, 2016

New York – David Salle: “New Paintings” at Skarstedt Gallery Through June 27th, 2015

Tuesday, June 23rd, 2015

New York – “The Shaped Canvas, Revisited” at Luxembourg & Dayan Through July 3rd, 2014 2014

Wednesday, July 2nd, 2014

Los Angeles – Francesco Vezzoli: “Cinema Vezzoli” at MOCA Through August 11th, 2014

Thursday, June 5th, 2014

AO on Site – London: Frieze Masters at Regent’s Park, October 17th-20th, 2013

Friday, October 18th, 2013

New York – “The Pop Object: The Still Life Tradition in Pop Art” at Acquavella Galleries, through May 24th 2013

Tuesday, May 7th, 2013

AO Onsite Auction Results – London: Christie’s Post-War and Contemporary Art Sale on Wednesday February 16, 2011 Realizes £61.4 million ($99.2 million); Warhol & Martial Raysse Are Top Lots

Wednesday, February 16th, 2011

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

AO AUCTION RESULTS: DISAPPOINTMENT AT PHILLIPS DE PURY’S LONDON CONTEMPORARY ART AUCTION on june 29th AS THE SALE FELL SHORT OF PRESALE ESTIMATES

Wednesday, June 30th, 2010

Go See – New York: The Figure and Dr. Freud at Haunch of Venison, featuring JONATHAN MEESE, GEORGE CONDO, CECILY BROWN, ROBERT MAPPLETHORPE, ALICE NEEL, FRANCIS BACON, DIANE ARBUS, WILLEM DE KOONING, PICASSO AND MORE. Through August 22, 2009

Tuesday, August 11th, 2009

Go See: Lauffs Collection at Hauser & Wirth, Zürich through July 26

Thursday, June 26th, 2008

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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