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Tracey Emin Interviewed Over New Project in Sydney

Tuesday, March 20th, 2018

Tracey Emin Profiled in The Times

Wednesday, March 14th, 2018

Tracey Emin Reflects on the Works of Egon Schiele in The Guardian

Friday, June 16th, 2017

Tracey Emin Interviewed in GQ

Wednesday, May 31st, 2017

Tracey Emin and Lehmann Maupin Part Ways

Monday, May 8th, 2017

National Portrait Gallery Acquires Tracey Emin’s ‘Death Mask’

Saturday, April 15th, 2017

Tracey Emin Funds Scholarship for Syrian Refugees

Wednesday, February 8th, 2017

Tracey Emin Scraps Demolition Plan for East London Building

Tuesday, December 13th, 2016

The Guardian Gets an Inside Look at the Installation of Tracey Emin’s ‘My Bed’

Friday, September 16th, 2016

New York — Tracey Emin: “Stone Love” at Lehmann Maupin Through June 18th, 2016

Saturday, June 4th, 2016

Tracey Emin on Her Recent Exhibition and Marrying a Stone

Tuesday, March 22nd, 2016

Tracey Emin’s “My Bed” Reinstalled at Tate Modern

Wednesday, April 1st, 2015

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

Tracey Emin Interview in The Guardian This Week

Monday, September 29th, 2014

Tracey Emin’s Bed Loaned to Tate Modern

Tuesday, July 29th, 2014

Tracey Emin’s “My Bed” Up for Sale at Christie’s This July

Wednesday, May 28th, 2014

Tracey Emin to Install Work at Las Vegas’s Cosmopolitan Casino

Saturday, April 5th, 2014

Tracey Emin Preps Show at MOCA North Miami

Monday, December 2nd, 2013

Tracey Emin and Sarah Lucas on Opening “The Shop”

Wednesday, August 14th, 2013

New York- Tracey Emin: “I Followed You to The Sun” at Lehmann Maupin through June 22nd, 2013

Monday, June 17th, 2013

Tracey Emin Interviewed in New York Times

Saturday, May 25th, 2013

Tracey Emin: “Critics Are Harsher Because I’m a Woman”

Sunday, May 19th, 2013

Tracey Emin Unveils “Roman Standard” at Petrosino Square

Friday, May 10th, 2013

Tracey Emin Designs Cover for Harper’s Bazaar

Sunday, March 10th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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