Search Results

New York – Brad Troemel: “On View: Selections from the Troemel Collection” at Zach Feuer Through March 28th, 2015

Monday, March 16th, 2015

Untitled to Merge with Zach Feuer

Wednesday, March 11th, 2015

New York – Mark Flood: “Insider Art Fair” and “Available NASDAQ Symbol” at Center548 and Zach Feuer

Saturday, May 31st, 2014

Dealers Zach Feuer and Joel Mesler Open Gallery Space Upstate

Wednesday, January 15th, 2014

New York – Jon Rafman: “You Are Standing in an Open Field” at Zach Feuer Gallery Through October 26th, 2013

Thursday, October 24th, 2013

New York – “Jew York” at Zach Feuer and UNTITLED Through July 26th, 2013

Saturday, July 27th, 2013

New York – Marianne Vitale: “Diamond Crossings” at Zach Feuer Gallery Through June 15, 2013

Monday, May 27th, 2013

Don’t Miss – New York: Mark Flood, ‘MURK FLUID’ at Zach Feuer through March 26, 2011

Thursday, March 24th, 2011

AO On Site: New York: Kate Levant “Blood Drive” at Zach Feuer, September 2, 2009

Wednesday, September 9th, 2009

Zach Feuer Gallery

Thursday, March 27th, 2008

AO On-Site – Independent New York at Center 548, March 5th-8th, 2015

Saturday, March 7th, 2015

AO On-Site – Miami Beach: NADA Miami at the Deauville Beach Resort, Dec. 4th – 7th, 2014

Monday, December 8th, 2014

Center548 Sold to Real Estate Firm, Galleries Asked to Leave

Tuesday, November 11th, 2014

Mark Flood Opens Gallery in Chelsea

Monday, October 13th, 2014

WSJ Reports on Hudson’s Growing Arts Community

Saturday, July 5th, 2014

Hong Kong – Art Basel Hong Kong, May 15th – 18th, 2014

Friday, May 16th, 2014

AO Recap – New York: The Armory Show at Piers 92 and 94, March 6th-9th, 2014

Wednesday, March 12th, 2014

Wakefield – Dana Schutz at The Hepworth Wakefield Gallery Through January 26th, 2014

Sunday, January 19th, 2014

AO On-Site: NADA at the Deauville Hotel, December 5th-8th, 2013

Friday, December 6th, 2013

NADA Miami Announces Gallery List

Tuesday, September 17th, 2013

The Armory Show 2013: Who’s In and Who’s Out

Tuesday, January 8th, 2013

New York – AO On Site: The Kitchen Benefit Art Auction, November 26th, 2012

Saturday, December 1st, 2012

AO Newslink

Wednesday, November 7th, 2012

Hurricane Sandy flooding reports, list of event cancellations and closures in New York

Wednesday, October 31st, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
Read More »

Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
Read More »

Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
Read More »