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Zaha Hadid Condo Complex in Chelsea to Feature Space for Galleries

Wednesday, March 15th, 2017

Last Zaha Hadid Design Goes on View in Zürich for Kurt Schwitters Exhibition

Wednesday, June 15th, 2016

RIP: Dame Zaha Hadid, Visionary Architect, Aged 65

Thursday, March 31st, 2016

The Serpentine Sackler Gallery, Designed by Zaha Hadid, Prepares to Open

Thursday, September 26th, 2013

Zaha Hadid Buys The Design Museum in London

Wednesday, July 10th, 2013

Zaha Hadid’s Chanel Mobile Art Space coming to Central Park October 20th to November 9th

Monday, July 28th, 2008

Lithuania Approves New Zaha Hadid Designed Guggenheim Museum

Friday, June 20th, 2008

Go See: Zaha Hadid’s Chanel Mobile Art Project through July 4th, Tokyo, Japan

Wednesday, June 11th, 2008

Zaha Hadid Chosen to Design Michigan State's Art Museum

Thursday, January 24th, 2008

New York – Monika Sosnowska: “Tower” at Hauser and Wirth Through October 25th, 2014

Tuesday, September 23rd, 2014

Rome: Francesco Vezzoli: “Galleria Vezzoli” at MAXXI, through November 24th 2013

Monday, November 25th, 2013

New York – “Ken Price Sculpture: A Retrospective” at The Metropolitan Museum of Art Through September 22nd, 2013

Sunday, August 4th, 2013

Sou Fujimoto-designed Serpentine Pavilion Opens in London

Tuesday, June 11th, 2013

AO Newslink

Tuesday, October 23rd, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site – Basel – Artist talk with Jeff Koons at Fondation Beyeler, Thursday, June 14, 2012

Thursday, June 14th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

London: Ai Weiwei and Herzog & de Meuron debut their collaborative 2012 Serpentine Pavilion

Friday, June 1st, 2012

London: Serpentine Gallery commissions Ai Weiwei and Herzog & de Meuron collaboration for 2012 Pavilion Series

Tuesday, February 7th, 2012

AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Glasstress 2011 and Mike and Doug Starn’s Big Bambú, through June 15, 2011

Sunday, June 5th, 2011

AO News Summary: Serpentine Gallery Reportedly Wins Hyde Park Space Over Damien Hirst

Thursday, September 30th, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Jean Nouvel to design the 10th Serpentine Gallery Pavilion, London

Friday, March 26th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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