Search Results

Los Angeles – Zoe Leonard: “Survey” at MOCA Through March 25th, 2019

Monday, March 25th, 2019

AO On Site – New York: Nicholas Party 'Still life, Stones and Elephants,' Jimmie Durham 'Marquette for a Museum of Switzerland,' and Pati Hertling 'Heart to Hand' featuring Zoe Leonard, Klara Liden, Adam Pendleton, Oscar Tuazon, and Elias Hansen at Swiss Institute through April 15, 2012

Tuesday, April 3rd, 2012

New York — “Serialities” at Hauser Wirth Through April 8th, 2017

Friday, March 31st, 2017

AO On Site – New York: Frieze VIP Preview on Randall’s Island Through May 13, 2013

Friday, May 10th, 2013

Go See: Group Exhibition Espèces d’Espaces at Yvon Lambert New York, through May 16, 2009

Wednesday, April 1st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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