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AO On-Site – Mexico City: Zona Maco at Centro Citibanamex, February 7th – 11th, 2018

Friday, February 9th, 2018

AO On-Site – Mexico City: Zona Maco Art Fair, February 8th – 12th, 2017

Friday, February 10th, 2017

AO Preview – Mexico City: Visual Art Week; Zona Maco and others, February 8th – 12th, 2017

Monday, February 6th, 2017

Mexico City — Gabriel Orozco: “Oroxxo” at Kurimanzutto Through March 16th, 2017

Wednesday, March 15th, 2017

Mexico City – B. Wurtz at Lulu Through April 15th, 2017

Saturday, March 11th, 2017

AO On-Site – Mexico City: Material Art Fair at Expo Reforma, February 9th – 12th, 2017

Monday, February 13th, 2017

AO On-Site: Mexico City Art Week, February 3rd – 7th, 2016

Monday, February 8th, 2016

AO Recap – Mexico City: Visual Arts Week, February 4th – 8th, 2015

Monday, February 9th, 2015

Stockholm – Brad Kahlhamer: “The Four Hairs” at Andréhn-Schiptjenko Through March 29th, 2014

Thursday, March 27th, 2014

The Guardian Reflects on a Political Year at Armory Week

Tuesday, March 13th, 2018

AO On-Site – New York: SPRING/BREAK Art Fair, March 7th – 12th, 2018

Wednesday, March 7th, 2018

UK Artists Speak Out on Cuts to A-Level Arts Education

Tuesday, October 18th, 2016

Kehinde Wiley’s Recent Models Don Spring Fashions for New York Magazine

Monday, February 9th, 2015

Sunday, July 17th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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