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Brad Troemel Profiled in New Yorker

January 23rd, 2017

Brad Troemel, via New YorkerBrad Troemel is the subject of a profile in the New Yorker this week, which reflects on the artist’s recent work both in and outside the traditional gallery system, and his approach towards making art that often defies categorization.  “At what point do artists using social media stop making art for the idealized art world audience they want,” the piece quotes from one of his essays, “and start embracing the new audience they have?” 
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New York Times Notes Uptick in Sales Through Instagram

January 23rd, 2017

Faberge art, via NYTThe New York Times profiles the increased potential in recent years for Instagram as a marketing tool, noting a considerable uptick in works sold through the platform.  “It has hit a sweet spot in the market for sharing information,” Anders Petterson, one of the contributors to the Hiscox Online Art Trade Report says, “but no one saw this coming as a sales tool.”
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Catherine Opie Joins Gallerists and Artists in LA Women’s March

January 23rd, 2017

Catherine Opie, via LA TimesThe LA Times has a piece today on the participation of a number of artists and gallerists in the Los Angeles protests against Donald Trump, counting Catherine Opie and a range of gallerists from across the city.  “Artists need to bring that voice of opposition to this cause — with every drop of blood and every tear,” Opie says.
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REFERENCE LIBRARY

Andreas Gursky

andreas-gursky-hong-kong-island
Hong Kong, Island via Artnet.
b. 1955
Lives and works in:

Düsseldorf, Germany

Represented by:

Matthew Marks Gallery, New York
Mitchell-Innes & Nash, New York

Education includes:

Kunstakademie, Düsseldorf

Gursky is a German photographer famous for his large and highly-textured photographs that provide a high point of view. He is fascinated with the relationship of people and space. Though not working in definitive series, his work can often be linked by motif. Often, his photographs, which capture a wide-angled view of a vast subject, feature an array of patterns. These patterns, which seem to be one of the most definitive qualities of his work, are not staged or posed, but are instead naturally occurring and captured from an odd or dramatic angle.

andreas-gurksy-copan
Copan via Sauer Thompson.

Signature works include the 1993 Paris, Montparnasse, which portrays the large, grid-like exterior of a large building while simultaneously allowing voyeuristic views into each curtainless window. More recently, he has incorporated computer editing into his art, frequently creating larger subjects than the initial photograph provides.

andreas-gurksy-99-cent
His work, 99 Cent II Diptychon, a dizzying photograph of row after row of candy and other disposable goods on display at a 99-cent store, sold for $3.3 million in 2007 and holds the record for the highest price paid for a photograph taken by a living photographer, via MOMA.

UBS Collection at Mori Art Museum [ArtObserved]

Wikipedia Entry

More info about the artist coming soon.

Comments: info@artobserved.com