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Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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REFERENCE LIBRARY

Anselm Reyle

Image via Kopenhagen
b. 1970
Lives and works in:

Berlin, Germany

Represented by:

Gavin Brown Enterprise, New York

Through his paintings and sculptures, Gernman Anselm Reyle is reviving
concepts of 20th century art history. The artist often mentions that
painter Otto Freundlich has been a great influence to him. Minimal and
abstract, Reyle’s works are notorious for eye-catching colors and
surfaces, and are created with a variety of mixed media, such as
chrome, enamel and glitter. His paintings can be drippy, gestural or
sharply geometrical, yet his works are related by their patterns and
bold palettes. Stripes and kaleidoscope-like patterns are common
compositional cliches that Reyle makes his own.

View of Valley Of The Snake Ladies at Andersens Contemporary via Kopenhagen

Reyle produces sculptural works made of cheap, everyday items, and
also has an interest in found-object art, creating a replica of a tiny
sculpture, or developing a painting from a motif he saw in a magazine.
Playing with the cliches of modernism, his chrome found-object
sculptures are glitzy, kitsch and rock-and-roll decorative. Other
objects appear plasticized, like a factory prototype. Reyle is also
known for sculptures made of worthless foil that hang on gallery walls
like topographic maps of a monochrome mountain range. While his
techniques and subjects are diverse, a fascination with the
aggressiveness of neon lighting and psychedelic color palettes are
common threads that also run throughout his work. With an abundance of
creations that are aesthetically simple purely formal, for Reyle, it
doesn’t take much to make a piece of art.

untitled (2006) via Kopenhagen

Wikipedia Entry

More info about the artist coming soon.

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