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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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REFERENCE LIBRARY

Balthus

Balthus via Wikipedia

born February 29, 1908 in Paris
died February 18, 2001 in Rossiniere, Switzerland

Balthasar Kłossowski de Rola, known as Balthus, was a prominent artist of the 20th century, most recognized for his paintings of young girls in voyeuristic or erotic contexts. His work is said to have influenced contemporary artists like John Currin.

Nude With Cat, Balthus,1949 via NationalgalleryofVictoria

His parents were part of the Paris cultural elite which led to his being influenced by such figures as poet Rainer Maria Rilke and Henri Matisse from an early age. In 1921, at the age of thirteen, Balthus published a book of drawings called “Mitsou”, with a preface by Rilke. It was a story of a boy and his cat – Balthus would remain obsessed with the animal for the rest of his life. In the 1930s, Balthus was a well-regarded painter belonging to a circle of influential artists, novelists, and intellectual figures – including Man Ray, Alberto Giacometti, Albert Camus, Joan Miro, and Antoine de Saint-Exupery.

The Mountain, Balthus, 1937 via Junkforcode

Balthus preferred to work with realistically rendered nude figures – he rejected the imaginary world, at a time when it was not fashionable to do so. He worked on paintings for immensely long periods of time, with great precision.

Balthus via Mirrorsandwindows

Throughout the 1950s and 60s, he gained international fame, while also remaining an enigma. His work was displayed in the Pierre Matisse gallery, The Museum of Modern Art, and he was the first living artist to be shown in the Louvre, who had acquired his piece from Pablo Picasso’s collection. Picasso had been a fan of Balthus since his early work.

Balthus exhibition, 2001, via Donatawenders

Upon his death, many more fans would attend his funeral, including U2, the president of France, supermodel Elle McPherson, and others.

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