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Paul Schimmel Leaves Hauser & Wirth in Los Angeles

February 25th, 2017

Paul Schimmel, via LA TimesCurator Paul Schimmel has parted ways with Hauser & Wirth’s Los Angeles location after a sudden announcement late this week, the LA Times reports.  Schimmel, former chief curator at MoCA was a founding partner in the gallery’s Los Angeles location, which opened last year.  “Going forward, Hauser & Wirth will continue building upon its longstanding, passionate commitment to Los Angeles with expanded programs, including an increasingly robust campaign of public events and community outreach activities, and an ever more dynamic schedule of exhibitions that celebrate our artists, and connections between California and the international scene,” Iwan Wirth said in a statement.
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Boyle Heights Art Space Closes After Repeated Protests from Anti-Gentrification Activists

February 24th, 2017

The view from Mariachi PlazaThe LA Times reports on the closure of PSSST, a non-profit arts space in Boyle Heights that shuttered after repeated protests from local anti-gentrification activists.  While our closure might be applauded by some, it is not a victory for civil discourse and coalition building,” the gallery said in a statement.
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Francis Bacon’s George Dyer Triptych Goes to Christie’s New York for its Auction Debut

February 24th, 2017

Francis Bacon triptych of George Dyer, via GuardianFrancis Bacon’s triptych portrait of his lover George Dyer is set to go to auction for the first time at Christie’s in New York this May, carrying an estimate of $50m.  “George Dyer is to Bacon what Dora Maar was to Picasso,” Loic Gouzer says of the artist’s longtime muse.  “He is arguably the most important model of the second half of the 20th century, because Dyer’s persona as well and physical traits acted as a catalyst for Bacon’s pictorial breakthroughs.”

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REFERENCE LIBRARY

Chris Burden

Chris Burden at his studio in Topaga, CA image via wirednewyork.com

Chris Burden at his studio in Topanga, CA

[image via wirednewyork.com]

Chris Burden (born in Boston, Massachusetts in 1946) is an American artist. He studied for his B.A. in visual arts, physics and architecture at Pomona College and received his MFA at the University of California, Irvine from 1969 to 1971. Burden’s reputation as a performance artist started to grow in the early 1970s after he made a series of controversial performances in which the idea of personal danger as artistic expression was central. His most well-known act from that time is perhaps the performance piece Shoot that was made in F Space in Santa Ana, California in 1971, in which he was shot in his left arm by an assistant from a distance of about five meters.

Medusa's Head, 1990. Plywood, steel, cement, rock, model railroad trains and tracks- image via nialldebuitlear.com

Medusa’s Head, 1990.

Plywood, steel, cement, rock, model railroad trains and tracks

[image via nialldebuitlear.com]

Video of Burden’s Shoot and other performance art

Chris Burden, Trans Fixed- 1974

Chris Burden, Trans Fixed- 1974 image via jalopnik.com

Chris Burden, Shoot image via www.saatchi-gallery.co.uk

Chris Burden, Shoo- 1971

[image via www.saatchi-gallery.co.uk]

Burden was taken to a psychiatrist after this piece. Many interpretations have been made regarding this piece. Many saw it as a statement about both the war in Vietnam and the American right to bear arms. Other performances from the 1970s were Five Day Locker Piece (1971), Deadman (1972), B.C. Mexico (1973), Fire Roll (1973), TV Hijack (1972), Doomed (1975) and Honest Labor (1979).

[Bio via Wikipedia Entry]

Chris Burden, What My Dad Gave Me (rendering), 2008- electro-polished stainless steel

Chris Burden, What My Dad Gave Me (rendering), 2008-

electro-polished stainless steel.  [image via www.artdaily.com]

More info about the artist coming soon.

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