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NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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REFERENCE LIBRARY

Chris Burden

Chris Burden at his studio in Topaga, CA image via wirednewyork.com

Chris Burden at his studio in Topanga, CA

[image via wirednewyork.com]

Chris Burden (born in Boston, Massachusetts in 1946) is an American artist. He studied for his B.A. in visual arts, physics and architecture at Pomona College and received his MFA at the University of California, Irvine from 1969 to 1971. Burden’s reputation as a performance artist started to grow in the early 1970s after he made a series of controversial performances in which the idea of personal danger as artistic expression was central. His most well-known act from that time is perhaps the performance piece Shoot that was made in F Space in Santa Ana, California in 1971, in which he was shot in his left arm by an assistant from a distance of about five meters.

Medusa's Head, 1990. Plywood, steel, cement, rock, model railroad trains and tracks- image via nialldebuitlear.com

Medusa’s Head, 1990.

Plywood, steel, cement, rock, model railroad trains and tracks

[image via nialldebuitlear.com]

Video of Burden’s Shoot and other performance art

Chris Burden, Trans Fixed- 1974

Chris Burden, Trans Fixed- 1974 image via jalopnik.com

Chris Burden, Shoot image via www.saatchi-gallery.co.uk

Chris Burden, Shoo- 1971

[image via www.saatchi-gallery.co.uk]

Burden was taken to a psychiatrist after this piece. Many interpretations have been made regarding this piece. Many saw it as a statement about both the war in Vietnam and the American right to bear arms. Other performances from the 1970s were Five Day Locker Piece (1971), Deadman (1972), B.C. Mexico (1973), Fire Roll (1973), TV Hijack (1972), Doomed (1975) and Honest Labor (1979).

[Bio via Wikipedia Entry]

Chris Burden, What My Dad Gave Me (rendering), 2008- electro-polished stainless steel

Chris Burden, What My Dad Gave Me (rendering), 2008-

electro-polished stainless steel.  [image via www.artdaily.com]

More info about the artist coming soon.

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