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Freelands Foundation Issues Report on Gender Disparity in British Arts

June 14th, 2018

Phyllida Barlow, Folly at the British Pavilion, via Art ObservedThe Freelands Foundation in London has issued a report on gender disparity in British Art, noting continued challenges to gender disparity and representation in the field. “Female artists are still under-represented in the art world in 2017 despite outnumbering men studying in art school,” the foundation reports.  
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SFMOMA and Baltimore Museum of Art Jointly Organizing Show on Joan Mitchell

June 14th, 2018

Joan Mitchell, via Art NewsThe Baltimore Museum of Art and SFMOMA art organizing a show dedicated to the works of Joan Mitchell, Art News reports. “The time is right for a thoughtful reconsideration of Mitchell’s work and her impact on postwar painting on both sides of the Atlantic,” says Neal Benezra, the director of SFMOMA.
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Paula Cooper Relocating to 26th Street

June 13th, 2018

Paula Cooper, via Art NewsPaula Cooper is temporarily relocating to 524 West 26th Street.  “I’m looking forward to it,” Cooper says. “We’ll be able to exhibit works in a completely different way. It will be exciting for the artists.”
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REFERENCE LIBRARY

Chris Burden

Chris Burden at his studio in Topaga, CA image via wirednewyork.com

Chris Burden at his studio in Topanga, CA

[image via wirednewyork.com]

Chris Burden (born in Boston, Massachusetts in 1946) is an American artist. He studied for his B.A. in visual arts, physics and architecture at Pomona College and received his MFA at the University of California, Irvine from 1969 to 1971. Burden’s reputation as a performance artist started to grow in the early 1970s after he made a series of controversial performances in which the idea of personal danger as artistic expression was central. His most well-known act from that time is perhaps the performance piece Shoot that was made in F Space in Santa Ana, California in 1971, in which he was shot in his left arm by an assistant from a distance of about five meters.

Medusa's Head, 1990. Plywood, steel, cement, rock, model railroad trains and tracks- image via nialldebuitlear.com

Medusa’s Head, 1990.

Plywood, steel, cement, rock, model railroad trains and tracks

[image via nialldebuitlear.com]

Video of Burden’s Shoot and other performance art

Chris Burden, Trans Fixed- 1974

Chris Burden, Trans Fixed- 1974 image via jalopnik.com

Chris Burden, Shoot image via www.saatchi-gallery.co.uk

Chris Burden, Shoo- 1971

[image via www.saatchi-gallery.co.uk]

Burden was taken to a psychiatrist after this piece. Many interpretations have been made regarding this piece. Many saw it as a statement about both the war in Vietnam and the American right to bear arms. Other performances from the 1970s were Five Day Locker Piece (1971), Deadman (1972), B.C. Mexico (1973), Fire Roll (1973), TV Hijack (1972), Doomed (1975) and Honest Labor (1979).

[Bio via Wikipedia Entry]

Chris Burden, What My Dad Gave Me (rendering), 2008- electro-polished stainless steel

Chris Burden, What My Dad Gave Me (rendering), 2008-

electro-polished stainless steel.  [image via www.artdaily.com]

More info about the artist coming soon.

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