Global contemporary art events and news observed from New York City. Suggestion? Email us.

Robert Olnick Collection Set for Christie’s Sales Next Month

October 21st, 2016
lichtenstein-from-olnick-collection-via-bloombergReal Estate magnate Robert S. Olnick’s art collection is set to go on sale at Christie’s next month, counting major Agnes Martin and Roy Lichtenstein works among its holdings.  The first selecton works offered next month, are spread over both the evening and day sales, and are valued at a total of $20 million.  “It was really about them making the rounds and buying what they liked,” says Laura Paulson, deputy chairman of Christie’s Americas.

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Guy Wildenstein’s Fate to be Decided by Court Tribunal

October 21st, 2016

guy-wildenstein-via-nytGuy Wildenstein’s fate has been left to a tribunal following arguments in his tax evasion case, the NYT reports.  The judges will spend up to three months considering the case before reaching their decision, which could include jail time and a 250 million euro fine for alleged deceptions in how the works were held.  “The bank knows only what the family told them,” says Alexandre Bronstein, a laywer pushing a criminal case over several of the works seized from the Wildenstein collection.  
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Phillips Announces $12-$18 Million Clyfford Still for November Evening Sale

October 21st, 2016

clyfford-still-untitled-1948-1949-via-phillipsPhillips’s Robert Manley announced the auction house’s star lot for its upcoming November Contemporary Evening Sale in New York, a colorful Clyfford Still priced between $12 million and $18 million.  “Formerly in the collection of the artist’s friend and student, the painter Edward Dugmore, the painting has been off the market for decades and has never been to auction,” Manley notes of the work.
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Chuck Close

Image via NY Mag
b. 1940
Lives and works in:

Bridgehampton, New York

Represented by:

Pace Wildenstein Gallery, New York

Education includes:

University of Washington, Seattle, B.A.

Yale University School of Art and Architecture, B.F.A., M.A.

Akademie der Bildenen Kunste, Vienna

Close is known for his large-format paintings in a style called “photorealism” or “superrealism”, which often involves using a grid technique to enlarge a photograph and treat each square as its own painting. His “Big Self Portrait” was the first of his mural-sized works, and took four months to complete. He carefully transferred each square’s detail with acrylic paint and an airbrush. His concern for photographic elements such as shape, texture, volume and shadow can be seen in his precise painting technique.

Following a B.A. from the University of Washington, Seattle and a B.F.A and M.F.A. from Yale University, he studied at Akademie der Bildenen Kunste in Vienna on a Fulbright Grant. Shortly after his return to New York City in 1967, Close’s work was included in the Whitney Biennial in 1969, followed by a solo exhibit in 1970 and an exhibit at New York’s MoMA in 1973.

Big Self Portrait, (1968) via Telegraph

In 1988, a spinal blood clot left him a quadriplegic. With the help and canvas preparation done by his assistants, he developed a new way of painting with a paintbrush between his teeth. He began to use grisaille (a technique which uses only grey tints) and pointillism (a technique of using dots of color that seem to fuse together froma distance) within the grids rather than the precise photorealistic style. Each square in the grid is still treated as a mini-painting, which comes together as one large painting when viewed from a distance.

Bill Clinton, (2006) via Telegraph

His portrait subjects have included Richard Serra, Phillip Glass, Cindy Sherman, and Kate Moss.

The Hermitage, St. Petersburg, February 29- April 13 [ArtObserved]
Chuck Close curates at Flag Foundation [ArtObserved]
Chuck Close documentary debuts in New York[ArtObserved]
White Cube Mason’s Yard [ArtObserved]

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