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Loring Randolph Joins Frieze as Artistic Director of Americas

September 25th, 2017

Loring Randolph, via Art NewsFrieze Art Fair has named Loring Randolph its new artistic director of the Americas. Randolph joins the fair after serving as a longtime partner at Casey Kaplan in New York. “I have participated for many years in Frieze Art Fairs as an exhibitor and my perspective in this regard offers some unique insights into my new role,” Randolph says. “Frieze is a progressive organization that is poised for growth, and I greatly look forward to working with my colleagues—the array of world-class galleries, curators, writers and collectors that partner with the Frieze fairs—to present an unparalleled experience at Frieze in the quality of gallery presentations by today’s most significant international artists.”
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NYT Profiles the Often Demanding Nature of Collecting Contemporary Works Designed to Change or Decay

September 25th, 2017

Max Hooper Schneider, via NYTThe New York Times has a piece on challenging works of contemporary art that decay and break apart, presenting unique challenges for collectors and conservators. ‘‘Contemporary art’s job is to wreck, to ruin what came before,’’ artist and director John Waters says of such demanding work.
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German Art Database Aims to Support and Record Looted Artifacts

September 25th, 2017

Iraq, via Art NewspaperWorking to shore up defense of its Cultural Property Protection Law, Germany has created an internet database offering resources and information on recording, securing and reporting cultural artifacts. The site is part of an ongoing effort by Culture Minister Monika Grütters to ensure greater protection for artifacts moving from destabilized countries, and those circulating in Germany and the rest of Europe. 
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REFERENCE LIBRARY

Chuck Close

Image via NY Mag
b. 1940
Lives and works in:

Bridgehampton, New York

Represented by:

Pace Wildenstein Gallery, New York

Education includes:

University of Washington, Seattle, B.A.

Yale University School of Art and Architecture, B.F.A., M.A.

Akademie der Bildenen Kunste, Vienna

Close is known for his large-format paintings in a style called “photorealism” or “superrealism”, which often involves using a grid technique to enlarge a photograph and treat each square as its own painting. His “Big Self Portrait” was the first of his mural-sized works, and took four months to complete. He carefully transferred each square’s detail with acrylic paint and an airbrush. His concern for photographic elements such as shape, texture, volume and shadow can be seen in his precise painting technique.

Following a B.A. from the University of Washington, Seattle and a B.F.A and M.F.A. from Yale University, he studied at Akademie der Bildenen Kunste in Vienna on a Fulbright Grant. Shortly after his return to New York City in 1967, Close’s work was included in the Whitney Biennial in 1969, followed by a solo exhibit in 1970 and an exhibit at New York’s MoMA in 1973.

Big Self Portrait, (1968) via Telegraph

In 1988, a spinal blood clot left him a quadriplegic. With the help and canvas preparation done by his assistants, he developed a new way of painting with a paintbrush between his teeth. He began to use grisaille (a technique which uses only grey tints) and pointillism (a technique of using dots of color that seem to fuse together froma distance) within the grids rather than the precise photorealistic style. Each square in the grid is still treated as a mini-painting, which comes together as one large painting when viewed from a distance.

Bill Clinton, (2006) via Telegraph

His portrait subjects have included Richard Serra, Phillip Glass, Cindy Sherman, and Kate Moss.

The Hermitage, St. Petersburg, February 29- April 13 [ArtObserved]
Chuck Close curates at Flag Foundation [ArtObserved]
Chuck Close documentary debuts in New York[ArtObserved]
White Cube Mason’s Yard [ArtObserved]

External Links

http://www.chuckclose.coe.uh.edu/

http://en.wikipedia.org/wiki/Chuck_Close