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Mark Beasley Appointed First-Ever Curator for Media and Performance at Hirshhorn Musuem

December 5th, 2016

mark-beasley-via-art-newsCurator Mark Beasley will join the Hirshhorn Museum and Sculpture Garden in Washington, D.C., as the museum’s first curator of media and performance art.  “Mark Beasley is one of the few experts of his kind, and as one of the leading curators of our time, his work has helped to shape this field over the past 15 years,” Melissa Chiu said.
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Marina Abramovic Featured in “Lunch with the FT”

December 5th, 2016

marina-abramovic-via-new-york-magazineMarina Abramovic is featured in the Financial Times’s ‘Lunch with the FT’ this week, dining with Jan Dalley while discussing her life and work.  “Now that I’m nearly 70 — 70!” she says, “I just want to be hilarious. Tell jokes. In my country, jokes are always about survival. Heavy.”
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MoMA to Celebrate Club 57 in New York

December 5th, 2016

basquiat-and-haring-via-club-57-archivesMoMA is set to open an exhibition celebrating the East Village’s Club 57, an alternative space frequented by Keith Haring, Kenny Scharf and Jean-Michel Basquiat, among others, next October, the Art Newspaper reports.  The show will be co-curated by actress and artist Ann Magnuson, who was a mainstay at the club.  
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REFERENCE LIBRARY

Chuck Close

Image via NY Mag
b. 1940
Lives and works in:

Bridgehampton, New York

Represented by:

Pace Wildenstein Gallery, New York

Education includes:

University of Washington, Seattle, B.A.

Yale University School of Art and Architecture, B.F.A., M.A.

Akademie der Bildenen Kunste, Vienna

Close is known for his large-format paintings in a style called “photorealism” or “superrealism”, which often involves using a grid technique to enlarge a photograph and treat each square as its own painting. His “Big Self Portrait” was the first of his mural-sized works, and took four months to complete. He carefully transferred each square’s detail with acrylic paint and an airbrush. His concern for photographic elements such as shape, texture, volume and shadow can be seen in his precise painting technique.

Following a B.A. from the University of Washington, Seattle and a B.F.A and M.F.A. from Yale University, he studied at Akademie der Bildenen Kunste in Vienna on a Fulbright Grant. Shortly after his return to New York City in 1967, Close’s work was included in the Whitney Biennial in 1969, followed by a solo exhibit in 1970 and an exhibit at New York’s MoMA in 1973.

Big Self Portrait, (1968) via Telegraph

In 1988, a spinal blood clot left him a quadriplegic. With the help and canvas preparation done by his assistants, he developed a new way of painting with a paintbrush between his teeth. He began to use grisaille (a technique which uses only grey tints) and pointillism (a technique of using dots of color that seem to fuse together froma distance) within the grids rather than the precise photorealistic style. Each square in the grid is still treated as a mini-painting, which comes together as one large painting when viewed from a distance.

Bill Clinton, (2006) via Telegraph

His portrait subjects have included Richard Serra, Phillip Glass, Cindy Sherman, and Kate Moss.

The Hermitage, St. Petersburg, February 29- April 13 [ArtObserved]
Chuck Close curates at Flag Foundation [ArtObserved]
Chuck Close documentary debuts in New York[ArtObserved]
White Cube Mason’s Yard [ArtObserved]

External Links

http://www.chuckclose.coe.uh.edu/

http://en.wikipedia.org/wiki/Chuck_Close