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Guggenheim Acquires Maurizio Cattelan’s “Comedian”

September 22nd, 2020

The Guggenheim has received Maurizio Cattelan‘s iconic banana work Comedian, shown last year at Art Basel Miami Beach, as an anonymous gift.  “We are grateful recipients of the gift of ‘Comedian,’ a further demonstration of the artist’s deft connection to the history of modern art,” says museum director, Richard Armstrong. “Beyond which, it offers little stress to our storage.”
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Gerhard Richter Designs Stained Glass Windows for German Abbey

September 22nd, 2020

Gerhard Richter has created a series of impressive stained glass windows for Tholey Abbey in Germany. “Abstract art is not normally my thing,” says Abbot Mauritius Choriol. “But you don’t need to be an art expert to appreciate the qualities of these.”
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LACMA Unveils Gallery Plans for New Building

September 22nd, 2020

LACMA has finally unveiled the gallery plans for its new, Peter Zumthor-designed building. “I did ask for and got something that would be very different,” says director Michael Govan. “I think it’s going to be absolutely sublime, but that’s for the public to see.”
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REFERENCE LIBRARY

Damien Hirst





b. 1965
Represented by:

White Cube Gallery, London

Gagosian Gallery, New York

Lives and works in:

London and Devon, England

Education includes:

Leeds College of Art and Design

Goldsmiths, University of London

Hirst’s work challenges the boundaries that exist between art, science, pop culture and the media. He confronts issues such as mortality and brevity of life in pieces such as his “The Physical Impossibility of Death in the Mind of Someone Living,” which involved a 14-foot long tiger shark preserved in a tank of formaldehyde. His first work involving any sort of animal was called “A Thousand Years,” which was a large glass case containing a rotting cow’s head with maggots and flies feeding off it. Hirst is the most prominent of the Young British Artists movement during the 1990’s.

During his years at Goldsmiths College, he curated an independent student show called “Freeze” which was visited by several imporant collectors including Charles Saatchi. Saatchi and Hirst had a symbiotic relationship as collector and artist from about 1992-2003. When the new Saatchi Gallery opened in County Hall, London with a Hirst retrospective, the artist was not pleased with the way certain works were displayed, including a Mini Cooper automobile he had decorated for charity. He bought back 12 works from Saatchi through his dealer Jay Jopling.

From 1992-2003, during his Saatchi years, Hirst gained worldwide criticism and acclaim for his work. He was included in the Venice Bienniale in 1993, won the Turner Prize in 1995, had an exhibit at Gagosian Gallery in 1996, was included in an exhibit at the Royal Academy in London and published his autobiography, “I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now”. He was also involved in several lawsuits involving vandalism of his work and copyright issues.

In 2004, Gagosian negotiated the sale of the “The Physical Impossibility of Death in the Mind of Someone Living” from Saatchi to collector Steven Cohen for $12 million, who in in turn donated it to MoMA. With the exception of Jasper Johns, this was the most expensive work by a living artist ever sold.

Hirst was relatively low-key after 2004, with the exception of several solo exhibits. In 2007, He created a diamond-encrusted skull entitled “For the Love of God” and was exhibited by White Cube Gallery in London. After several months, it was sold for the asking price of $100 million to an anonymous investment group, in which Hirst remained a stake. Hirst’s propensity to control the exhibition style of his work and his tight control of his reputation can be seen in his involvement in this investment. It is also recollective of his relationship with Saatchi.

Wikipedia Entry

More info about the artist coming soon.

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