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AO ON-SITE – LOS ANGELES: FRIEZE LOS ANGELES 2024 AT THE SANTA MONICA AIRPORT

March 4th, 2024

Frieze LA

Frieze LA 2024 at Santa Monica Airport

AO was on the ground at the fifth edition of Frieze Los Angeles, held from February 29th to March 3rd, 2024, at Santa Monica Airport, which brought together over 95 galleries exhibiting contemporary art from various regions, showcasing the city’s role in the global art landscape. 
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Perrotin LA: Izumi Kato

February 29th, 2024

Perrotin: IzumI KatoIzumi Kato at Perrotin

AO is on-site at Perrotin, which inaugurated its new Los Angeles gallery with an exhibition featuring Japanese artist Izumi Kato, running from February 28 to March 23, 2024. Kato’s work, known for incorporating elements of both ancient traditions and modern themes, aligns with Los Angeles’s landscape, which includes both natural and urban environments. The artist’s figures, created in his Tokyo studio, are displayed in a setting that reflects the coexistence of contrasting elements, a theme prevalent in Kato’s art.


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MEXICO CITY: ZONA MACO 2024

February 20th, 2024

Zona Maco 2024

Anahuacalli Museum Mexico City

AO was on-site at ZONAMACO Arte Contemporáneo, the largest art fair in Latin America, which celebrated its 20th anniversary from February 7-11th, 2024. Initially launched in 2002 by Zélika García, the fair soon relocated from Monterrey to Centro Citibanamex in Mexico City where it holds four events annually. Since its inception, ZONAMACO has expanded to feature 208 exhibitors from 25 countries, displaying a diverse range of artworks, from modern and contemporary, to design, to an estate section.


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REFERENCE LIBRARY

Damien Hirst





b. 1965
Represented by:

White Cube Gallery, London

Gagosian Gallery, New York

Lives and works in:

London and Devon, England

Education includes:

Leeds College of Art and Design

Goldsmiths, University of London

Hirst’s work challenges the boundaries that exist between art, science, pop culture and the media. He confronts issues such as mortality and brevity of life in pieces such as his “The Physical Impossibility of Death in the Mind of Someone Living,” which involved a 14-foot long tiger shark preserved in a tank of formaldehyde. His first work involving any sort of animal was called “A Thousand Years,” which was a large glass case containing a rotting cow’s head with maggots and flies feeding off it. Hirst is the most prominent of the Young British Artists movement during the 1990’s.

During his years at Goldsmiths College, he curated an independent student show called “Freeze” which was visited by several imporant collectors including Charles Saatchi. Saatchi and Hirst had a symbiotic relationship as collector and artist from about 1992-2003. When the new Saatchi Gallery opened in County Hall, London with a Hirst retrospective, the artist was not pleased with the way certain works were displayed, including a Mini Cooper automobile he had decorated for charity. He bought back 12 works from Saatchi through his dealer Jay Jopling.

From 1992-2003, during his Saatchi years, Hirst gained worldwide criticism and acclaim for his work. He was included in the Venice Bienniale in 1993, won the Turner Prize in 1995, had an exhibit at Gagosian Gallery in 1996, was included in an exhibit at the Royal Academy in London and published his autobiography, “I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now”. He was also involved in several lawsuits involving vandalism of his work and copyright issues.

In 2004, Gagosian negotiated the sale of the “The Physical Impossibility of Death in the Mind of Someone Living” from Saatchi to collector Steven Cohen for $12 million, who in in turn donated it to MoMA. With the exception of Jasper Johns, this was the most expensive work by a living artist ever sold.

Hirst was relatively low-key after 2004, with the exception of several solo exhibits. In 2007, He created a diamond-encrusted skull entitled “For the Love of God” and was exhibited by White Cube Gallery in London. After several months, it was sold for the asking price of $100 million to an anonymous investment group, in which Hirst remained a stake. Hirst’s propensity to control the exhibition style of his work and his tight control of his reputation can be seen in his involvement in this investment. It is also recollective of his relationship with Saatchi.

Wikipedia Entry

More info about the artist coming soon.

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