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LaToya Ruby Frazier Featured in NYT

March 3rd, 2021

LaToya Ruby Frazier has a piece in the NYT this week, showcasing new work and talking about her critical approach towards American culture. “I am showing these dark things about America because I love my country and countrymen,” she says. “When you love somebody, you tell them the truth. Even if it hurts.”
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MoMA Covers Architect Philip Johnson’s Name from Wall Signage Over Fascist Views

March 3rd, 2021

MoMA has covered up the name of late architect Philip Johnson on wall signs amid allegations of his fascist views. “To move forward with the exhibition thoughtfully, honoring the communities that the artists and their works represent, we feel it’s appropriate to respect the exhibition design suggestion and cover the signage with Johnson’s name outside the Architecture and Design galleries on an interim basis,” a MoMA spokesperson said. “To confront this matter, the Museum currently has underway a rigorous research initiative to explore in full the allegations against Johnson and gather all available information. This work is ongoing.”
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Italy Looks to Art to Help Combat Overtourism

March 3rd, 2021

Italy is looking to combat its crush of tourists in major cities by leasing works from the Uffizi in Florence to smaller museums and spaces around the country, CNN reports. “We already have over 3,000 works of art on display in the Uffizi — that’s enough,” Uffizi director Eike Schmidt says.
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REFERENCE LIBRARY

Dash Snow

dash-snow
Dash Snow, image via The World’s Best Ever.
b. 1981 died July 14, 2009
Lived and works in:
New York City
Represented by:

Dash Snow, born and raised in New York City, was regularly associated with the “downtown scene,” referring to a sort of second coming of 1960s and 70s Warhol-era New York. Snow, who at a young age ran away from home, began to use drugs heavily, joined a graffiti crew, and started documenting his life at age 16 through Polaroid photographs.

Often depicting self-destructive escapades, Snow’s photographs captured the energy and lives of those around him.  However, the photographs, which were included in the 2006 Whitney Biennial, were not simply a form of documentation—they carry a haunting, at once frightful and beautiful quality that grabs the viewer.

Snow’s more recent work veered away from his traditional Polaroid work and focused more on collage and assemblage sculpture. The collages and sculptures focused primarily on American politics and are imbued with an apparent mockery, conceptually reminiscent of Dada collages from the early 20th century.

Wikipedia Entry
New York artist Dash Snow dies from drug overdose at 27 [ArtObserved]

dash-snow-polaroid-no111
Polaroid (No.111) via Rivington Arms.
dash-snow1
Untitled via Peres Projects.

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