Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Cuban artists fear crackdown after Tania Bruguera arrest

December 7th, 2018

Tania Bruguera, via GuardianThe Guardian profiles how Cuban artists are fearing a government crackdown on artists in the wake of Tania Bruguera’s arrest this week over a new law restricting artistic speech in the country. “The decree criminalizes independent art activity,” the Cuban-American artist Coco Fusco says. “It allows a cadre of roving censors to go around issuing fines, to take away your equipment. These are not liberal individuals – if you are a rap musician and they simply don’t like your lyrics, they will shut you down. These draconian actions already take place but this law systemizes it.”
Read More »

Art Newspaper Explores Market for Street Art

December 7th, 2018

Keith Haring, via Art NewspaperArt Newspaper profiles the increasingly high popularity of street art in mainstream art fairs, and questions how it is affecting the medium. According to adviser Lisa Schiff, sales of street artists like the recent bidding war for KAWS prints at Art Basel “encourages pure speculation; it’s an empty value-making system. Street art should disrupt the commercial and institutional setting. I don’t want it in a museum or a fair.”
Read More »

MoMA PS1 Art Handlers Continue Protest

December 7th, 2018

Marley Freeman, via NYTThe NYT profiles the recent protests by MoMA PS1 art handlers over pay and worker rights at the museum, as they demand equal pay to the museum workers across the East River at the main museum space. “I feel as an artist worker you’re betwixt and between,” handler and artist Marley Freeman said in a telephone interview. “You aren’t seen as a professional art handler. At PS1 they are always treating us like this is just temporary work we’re doing between other things.”
Read More »

REFERENCE LIBRARY

Donald Judd

1928 – 1994
Represented by:

Paula Cooper Gallery, New York

Lives and works in:

New York, NY and Marfa, TX

Education includes:

Columbia University BA, New York

Judd is well- known American sculptor. Using industrial materials and processes that make invisible all traces of the artist’s hand, Judd is a leading figure of minimalism. Minimalists were, in part, reacting to the prevalent movement of abstract expressionism happening post World War II. Jackson Pollock and his freedom-signifying heroic male drips that reduced painting to a purely optical experience provoked a counter movement in minimalism that invoked strategies of the historical avant garde, such as the ready-made and industrial, non-art materials. Drawn to humble materials with no pretension, Judd’s sculptures were made of several, identical, completely smooth cubes or bricks made from metal, concrete or plexiglass. They are arranged in space, not touching, in a way that prevents any compositional hierarchy from developing. He called them freestanding “specific objects”. These repetitive forms posits the viewer and the art object and the space around it as all interacting forces that form an art experience. His work also made each viewer the same, anyone with eyes could potentially share the same experience with his work. His first solo show was in 1957 in New York at the Panoras gallery. The Whitney Museum of American Art held a retrospective of his life’s work in 1968 which included early paintings alongside his sculptures. The same year, he purchased a 5-story building in New York to display his works in a more permanent setting. His building further led him to distance himself from temporary, curator-designed public exhibitions which he felt distanced the artist from his or her work. In the 1970s, the scale of his work grew even larger and he created several room-sized installations. Aided by the Dia Art Foundation, he purchased 340 acres of land in 1979 in Marfa, Texas which included an abandoned Army fort. Starting in 1986, this site would be home to the Chinati Foundation, a non-profit art foundation that now houses the art of Judd and several of his contemporaries. He died of lymphoma in 1994. In 2006, the Judd Foundation, who has assumed responsibility of maintaining his large properties and the corresponding installations, auctioned 35 of his sculptures at Christie’s in New York. The auction raised $25 million which will be used toward sustain the installations located in Marfa, Texas and New York City’s 101 Spring St.