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NEWS

Met Director Max Hollein Profiled in Vogue

August 17th, 2018

Max Hollein, via VogueNew Met Museum Head Max Hollein gets a profile in Vogue, exploring his leadership style and vision for the storied institution. “Max likes to run things,” Dede Wilsey, the main patron of the Fine Arts Museums of San Francisco says. “He’s always way ahead of everybody in his thinking. So if he’s decided this is going to work at the Met, he’s figured out how it’s going to work.”
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Gagosian Hires Former Richard Gray Dealer Andrew Fabricant

August 17th, 2018

Andrew Fabricant, via BloombergGagosian Gallery has hired dealer Andrew Fabricant after his departure from rival Richard Gray Gallery. “Gagosian’s global platform and broad embrace of both historical and contemporary artists was inspirational and important to me in this decision,” Fabricant said in the statement. “The gallery’s international profile has influenced and informed the tastes and interests of both a seasoned and new generation of collectors.”
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Berlin Artists Facing Challenges in Art Hub

August 17th, 2018

Gallery Weekend Berlin, via Art NewspaperResearch into the current state of the arts in Berlin shows that the city’s artists face frequent challenges of poverty, gender pay gaps and minuscule pensions.  “Most of the numbers were expected, but I was alarmed by how low the pension expectancy of artists actually is,” says researcher Hergen Wöbken.
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REFERENCE LIBRARY

Edgar Degas

Dancing Examination, (1874) via ExpoDegas

b. July 19, 1834 in Paris, France
d. september 27, 1917 in Paris France

Schools
Lycee Lious-le-Grand
Ecole des Beaux-Arts 

Edgar Degas is considered an Impressionists artist. He is considered one of the founders of Impressionist art by some though his style crossed many artistic boundaries. His paintings, pastels, drawings and sculptures showed his skilled draftsmanship. 

L’Absinthe (1875-6) via Tate

Degas’s subjects changed throughout his career. He started painting historical paintings and reproductions of grand masters to contemporary life.  He captured horses at the race track, and women at work. But his focus would soon turn to dancers backstage or in rehearsals.  

Little Dancer of Fourteen Years, was probably his most controversial piece, as some saw it as hideous and while others its potential. 

Little Dancer of Fourteen Years, (1880-1881) via the Clark

Towards the end of his life, Degas became blind, and turned to sculpting. He created many horse sculptures capture their movement as well as his ballerina and women bathing.