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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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REFERENCE LIBRARY

Ellsworth Kelly

b. 1923
Lives and works in:

Spencetown, New York

Represented by:

Matthew Marks Gallery, New York

Education includes:

Pratt Institute, Brooklyn
Boston Museum School
École des Beaux-Arts, Paris

Kelly is an American painter and sculptor. He is associated with the minimalist school as well as Hard-edge painting and Color field painting. Other staples of his work include a single-color scheme and irregular-shaped canvas, though many believe his flat-paintings to be a rebellion to Abstract Expressionism. He has also been known to create multi-paneled works that can be rearranged to create a new work of art.
His premier solo show was held in 1951 at Paris’ Galerie Arnaud. By 1958, he was experimenting with free-standing sculptures, branching out in medium. One of his more famous pieces from this period is a large-scale, shelf-like installation made of silver aluminum, containing four rows of unevenly spaced, asymmetrical metal shapes, painted a variety of solid colors. In 1973, the first retrospective of his life’s work was shown at New York’s Museum of Modern Art. Following the retrospective, he began to experiment with larger sculptures made from steel and aluminum. In 1982, the Whitney Museum of American Art featured a sculpture retrospective of his work and in 1996, the Guggenheim organized a career retrospective which traveled to Los Angeles’ Museum of Contemporary Art, the Tate Modern in London and Munich’s Haus der Kunst. He has also been commissioned to create works by the city of Barcelona and by the United States Holocaust Museum.
More recent works include his 2006 series “New Paintings,” simple compositions that typically include two canvases, painted different solid colors, stacked on top of one another, ideally displayed against a vast white gallery wall. His series “Plant Drawings,” created in 1992, features several thin sketches of flowers on a large white paper which overwhelm the subject.

Ellsworth Kelly and Robert Gober at Matthew Marks [ArtObserved]