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Creative Time Announces Lineup for Eleventh Annual Creative Time Summit

July 17th, 2018

Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory 52Creative Time has announced the lineup for the eleventh edition of the Creative Time Summit, which will set up shop in Miami this year from November 1-3.  “Fifty years after the upheavals of 1968, we continue to grapple with a host of pressing issues, from the ongoing legacies of colonialism to climate change and xenophobia,” says Creative Time executive director Justine Ludwig.  “There’s no better place for this conversation than Miami, a home to so many incredible artists, activists, and thinkers. We couldn’t be prouder to host the summit here, or of the participants and the invaluable insights they’ll be bringing to bear on some of the most critical issues of our time.”
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New York Museums to Grant Free Admission for Library Card Holders

July 17th, 2018

Guggenheim, via NYTA new initiative by New York’s library systems will grant free access to a range of NYC institutions with a library card, the New York Times reports. “Some people are intimidated by museums,” says Linda Johnson, president of the Brooklyn Public Library, said in a phone interview. “They shouldn’t be shut out of all the wonderful cultural offerings that are available to New York City dwellers.”
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Liberté Nuti Joins Hauser & Wirth as Senior Director of Impressionist & Modern Art

July 17th, 2018

Liberte Nuti, via Hauser and WirthLiberté Nuti has joined Hauser & Wirth as International Senior Director of Impressionist & Modern Art, leaving her former post as International Director of Impressionist & Modern at Christie’s. “We are thrilled to welcome Liberté Nuti as a Senior Director in London,” Iwan Wirth says. “We look forward to this next chapter in Hauser & Wirth’s evolution as the gallery’s secondary market activity comes into sharper focus.”
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REFERENCE LIBRARY

Eric Fischl

Birthdate: 1948
Born in: New York City

Education includes:

Phoenix College
Arizona State University California
Institute of the Arts in Valencia, California, where he earned his BFA in 1972.
He then moved to job as a guard at the Museum of Contemporary Art

Work :

* Fischl has embraced the description of himself as a painter of the suburbs, not generally considered appropriate subject matter prior to his generation. Some of Fischl’s earlier works have a theme of adolescent sexuality and voyeurism, such as Sleepwalker (1979) Bad Boy (1981) and Birthday Boy (1983) both depict young boys looking at older women shown in provocative poses on a bed. In 2002, Fischl collaborated with the Museum Haus Esters in Krefeld, Germany. Haus Esters is a 1928 home, designed by Mies van der Rohe in 1928 to be a private home. It now houses changing exhibitions.

Fischl refurnished it as a home (though not particularly in Bauhaus style, and hired models who, for several days, pretended to be a couple who lived there. He took 2,000 photographs, which he reworked digitally and used as the basis for a series of paintings, one of which, the monumental Krefeld Project, Bedroom #6 (Surviving the Fall Meant Using You for Handholds) (2004) was purchased by Paul Allen featured in the 2006 Double Take Exhibit at Experience Music Project, where it was juxtaposed with a much smaller Degas pastel. This is by no means the first time Fischl has been compared to Degas. Twenty years earlier, reviewing a show of 28 Fischl paintings at New York’s Whitney Museum, John Russell wrote in the New York Times, “Degas sets up a charged situation with his incomparable subtlety of insight and characterization, and then he goes away and leaves us to figure it out as best we can. That is the tactic of Fischl, too, though the society with which he deals has an unstructured brutality and a violence never far from release that are very different from the nicely calibrated cruelties that Degas recorded.”

* via Wikipedia

http://www.ericfischl.com/