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Controversial Nick Cave Installation Heads to Brooklyn Museum

January 15th, 2021

The Brooklyn Museum will install Nick Cave’s piece Truth Be Told outside the museum, which generated controversy last during its installation at the Jack Shainman space in Kinderhook, NY.  “Museums are being called on to tell the truth, from the painful to the celebratory,” says museum director Anne Pasternak. “We can invite a constructive conversation.”
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Guggenheim Names Naomi Beckwith as Deputy Director and Chief Curator

January 15th, 2021

The Guggenheim has appointed Naomi Beckwith, formerly senior curator of the Museum of Contemporary Art Chicago as deputy director and chief curator. “If you look out over the cultural landscape — particularly in the U.S. — she is quite obviously one of the outstanding leaders of today with a huge potential as well,” says museum director Richard Armstrong. “She’s very adept at issues of identity and, particularly, multidisciplinary art. We have to think about the Guggenheim’s growth over the next few years, so it needs to be a person with enormous capacity.”
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Bloomberg Charts Rush of Galleries Moving Works Out of UK Before Brexit

January 15th, 2021

A piece in Bloomberg charts the rush by galleries to move works out of the UK before Brexit goes into effect. “The higher up the market, the more global it is,” says Anthony Browne, chairman of the British Art Market Federation, regarding the challenges posed by shipping more works outside of the UK borders. “It’s the smaller galleries and dealers and mid-market ones that have buyers in the EU that will be mostly affected.”
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REFERENCE LIBRARY

Eric Fischl

Birthdate: 1948
Born in: New York City

Education includes:

Phoenix College
Arizona State University California
Institute of the Arts in Valencia, California, where he earned his BFA in 1972.
He then moved to job as a guard at the Museum of Contemporary Art

Work :

* Fischl has embraced the description of himself as a painter of the suburbs, not generally considered appropriate subject matter prior to his generation. Some of Fischl’s earlier works have a theme of adolescent sexuality and voyeurism, such as Sleepwalker (1979) Bad Boy (1981) and Birthday Boy (1983) both depict young boys looking at older women shown in provocative poses on a bed. In 2002, Fischl collaborated with the Museum Haus Esters in Krefeld, Germany. Haus Esters is a 1928 home, designed by Mies van der Rohe in 1928 to be a private home. It now houses changing exhibitions.

Fischl refurnished it as a home (though not particularly in Bauhaus style, and hired models who, for several days, pretended to be a couple who lived there. He took 2,000 photographs, which he reworked digitally and used as the basis for a series of paintings, one of which, the monumental Krefeld Project, Bedroom #6 (Surviving the Fall Meant Using You for Handholds) (2004) was purchased by Paul Allen featured in the 2006 Double Take Exhibit at Experience Music Project, where it was juxtaposed with a much smaller Degas pastel. This is by no means the first time Fischl has been compared to Degas. Twenty years earlier, reviewing a show of 28 Fischl paintings at New York’s Whitney Museum, John Russell wrote in the New York Times, “Degas sets up a charged situation with his incomparable subtlety of insight and characterization, and then he goes away and leaves us to figure it out as best we can. That is the tactic of Fischl, too, though the society with which he deals has an unstructured brutality and a violence never far from release that are very different from the nicely calibrated cruelties that Degas recorded.”

* via Wikipedia

http://www.ericfischl.com/