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NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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REFERENCE LIBRARY

Fernando Botero

Fernando Botero image via www.flickr.com/photos

[image via www.flickr.com/photos]

Fernando Botero (born April 19, 1932 in Medellín, Antioquia) is a Colombian neo-figurative artist, self-titled “the most Colombian of Colombian artists” early on, coming to prominence when he won the first prize at the Salón de Artistas Colombianos in 1959.

Abu Ghraib 50, 2005 image via www.hwaethwugu.com

Abu Ghraib 50, 2005-image via www.hwaethwugu.com

Fernando Botero’s Abu Ghraib

After Velasquez, 2005 oil on canvas image via rawartint.wordpress.com

[image via rawartint.wordpress.com]

Hand, Madrid image via http://commons.wikimedia.org

Hand, Madrid image via http://commons.wikimedia.org

Una Coppia, 1999 image via www.worldgallery.co.uk

Una Coppia, 1999 image via www.worldgallery.co.uk

He is an abstract artist in the most fundamental sense of the word, choosing what colors, shapes, and proportions to use based on intuitive aesthetic thinking. This being said, his works are informed by a Colombian upbringing and social commentary is woven throughout his work.

[Bio via Wikipedia  Entry]

Botero Online Gallery

Fernando Botero Books:

More info about the artist coming soon.

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