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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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REFERENCE LIBRARY

Jeff Wall

b. 1946
Lives and works in:

Vancouver, Canada

Represented by:

Marian Goodman Gallery, New York & Paris

Education includes:

University of British Columbia BA, Vancouver
Courtauld Institute, University of London, England

Wall is a photographer known for creating back-lit narrative photographs. Though appearing straightforward, he does sometimes experiment with photo-manipulation and elaborate production. His work ranges from pieces rich in implication, like compassion in A Woman with a Covered Tray (2003) and desperation in Insomnia (1994) to others that resemble well-worked theatrical productions of Gregory Crewdson, like his 1992 piece The Giant and After the Invisible Man by Ralph Ellison, the Preface, created in 1999.

Other photographs manage to dodge the focus of humans and enter a realm that is more abstract, like the putrid and bland room captured in the 2003 photograph A Wall in a Former Bakery and the near-indecipherable darkly splattered mess of a corner of an art studio in Staining Bench, Furniture Manufacturer’s, Vancouver taken in 2003.

Awards include The Paul de Hueck and Norman Walford Career Achievement Award for Art Photography, the Erna and Victor Hasselblad Foundation International Award in Photography as well as the Roswitha Haftmann Prize for Visual Arts. He has extensive teaching experience having taught at the Nova Scotia College of Art and Design, Simon Frasier University in British Columbia, and the University of British Columbia. He is an established author and critic as well.

Grosenic, Uta. Art Now: Vol 2. Los Angeles: Taschen, 2006.

Jeff Wall at Marion Goodman New York, February 23 – March 22, 2008 [ArtObserved]

Artist Homepage

Wikipedia Entry