Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

WSJ Looks at Current Art Market Health as 2016 Concludes

December 4th, 2016

Henri Matisse, L'Italienne (Lorette) (1917), via Christie'sAn article in the Wall Street Journal analyzes the broader health of the art market this week, and looks towards 2017 as auction houses aim to continue sales growth.  The piece looks at current sales, and compares the results at Sotheby’s and Christie’s to regional competitors like Beijing Poly International.
Read More »

John Baldessari Interviewed on New BMW Art Car Design

December 3rd, 2016

john-baldessari-via-the-vergeJohn Baldessari is interviewed in The Verge this week, discussing his design for the new BMW Art Car, which debuted this week at Art Basel Miami Beach.  “I’ve never designed anything three-dimensional,” he says. “Working on it from all different directions, I was happy with how it came out.”
Read More »

Jorge Perez Gives $10 Million Gift to Perez Museum

December 3rd, 2016

jorge-perez-via-nytDeveloper Jorge M. Pérez has announced a $10 million gift to the Perez Art Museum, including a high concentration of Cuban artworks.  “I think if one place should have a strong Cuban collection, it should be Miami,” he said.
Read More »

REFERENCE LIBRARY

John Baldessari

John Baldessari
image via NYT
b. 1931
Lives and works in:
Santa Monica, CA
Represented by:

Marian Goodman Gallery, New York & Paris

Education includes:

San Diego State College BA
University of California at Berkley
San Diego State College MA
Otis Art Institute, Los Angeles
Chouinard Art Institute, Los Angeles

Much of Baldessari’s work involves pointing- that is, telling the viewer not only what to look at but how to make selections and comparisons, often simply for the sake of doing so. Baldessari takes photographs and then obliterates essential information with playfully color fills, emphasizing the “filling in the blanks” activity that each individual observer participates in when formulating a judgment of an image.

Baldessari’s Commissioned Paintings series took the idea of pointing literally, after he read a criticism of conceptual art that claimed it was nothing more than pointing. Beginning with photos of a hand pointing at various objects, Baldessari then hired amateur yet technically adept artists to paint the pictures. He then added a caption “A painting by [painter’s name]” to each finished painting. In this instance, he has been likened to a choreographer, directing the action while having no direct hand in it, and these paintings are typically read as questioning the idea of artistic authorship. The amateur artists have been analogized to sign painters in this series, chosen for their pedestrian methods that were indifferent to what was being painted.

John Baldessari

Yves Saint Laurent Shirt, image via W Magazine

His signature works are vintage photographs, blown-up and cropped tightly with large colored blobs filling in or covering up important shapes within the photographs. Or perfect circles blotting out the faces in a snapshot that looks like it could be the photo of headline article.

Baldessari has been collected by many, everyone from the Rubell family to Kate Spade (see article in December 2006 World of Interiors) feature him as a mainstay in their contemporary collections. He has produced a prolific amount of pieces and has exhibited his work in over 120 solo shows worldwide.

Baldessari at Pepe Cobo Madrid Feb 1 – March 19 2008 [ArtObserved]

John Baldessari, Tiger

image via DB Art Mag

Stonehenge (With Two Persons), Mixografia via www.geocities.com/christophermulrooney

Stonehenge (With Two Persons), Mixografia

[image via www.geocities.com/christophermulrooney]

Domestic Smoke: Desire, Power, Colored Intervals, and Genie (with Two Boxed Asides) image via www.news.cornell.edu

Domestic Smoke: Desire, Power, Colored Intervals, and Genie

(with Two Boxed Asides) image via www.news.cornell.edu

Wikipedia Entry

Artist’s Homepage

More information coming soon.

Comments and suggestions: info@artobserved.com