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NEWS

Freelands Foundation Issues Report on Gender Disparity in British Arts

June 14th, 2018

Phyllida Barlow, Folly at the British Pavilion, via Art ObservedThe Freelands Foundation in London has issued a report on gender disparity in British Art, noting continued challenges to gender disparity and representation in the field. “Female artists are still under-represented in the art world in 2017 despite outnumbering men studying in art school,” the foundation reports.  
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SFMOMA and Baltimore Museum of Art Jointly Organizing Show on Joan Mitchell

June 14th, 2018

Joan Mitchell, via Art NewsThe Baltimore Museum of Art and SFMOMA art organizing a show dedicated to the works of Joan Mitchell, Art News reports. “The time is right for a thoughtful reconsideration of Mitchell’s work and her impact on postwar painting on both sides of the Atlantic,” says Neal Benezra, the director of SFMOMA.
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Paula Cooper Relocating to 26th Street

June 13th, 2018

Paula Cooper, via Art NewsPaula Cooper is temporarily relocating to 524 West 26th Street.  “I’m looking forward to it,” Cooper says. “We’ll be able to exhibit works in a completely different way. It will be exciting for the artists.”
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REFERENCE LIBRARY

Josh Smith

b. 1976
Lives and works in:

New York, NY

Represented by:

Luhring Augustine, New York

Education includes:

Miami University, Oxford, OH
University of Tennessee BFA, Knoxville, TN

Smith is an abstract artist who has received press for his tendency to incorporate his own name within many of his works. Pieces can often be described as messy, like 2004’s New Swamp Thing, in which red checkers ascend from the lower right corner of the painting, obscuring the artist’s name. More recently, his work has taken the form of similarly disheveled collages, incorporating newspaper clippings as well as large and obscuring paint-splatters across his work. Other works take the form of word art, like the untitled. 2006 piece which could easily be mistaken for an advertisement or handbill for London’s Serpentine Gallery, or another 2006 piece untitled, which sees his full name scrawled across a black canvas two times in ghostly-white paint.