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NADA Miami Announces Exhibitor List

September 21st, 2018

NADA Miami Beach, via Art NewsNADA has announced the gallery list for the 2018 edition of its Miami fair, which will now serve as the central fair of the organization’s yearly programming after its 2019 New York fair was cancelled. 
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Met to Looks Into Subleasing Breuer Building to Frick

September 21st, 2018

Thomas P Campbell at Met Breuer, via NYTThe Met is looking into plans to lease its space at the Breuer Building to the Frick Collection as the museum undergoes renovation in 2020.  The plan would save the museum $45 million. “Our objective in expanding our programming to The Met Breuer was to present the modern collection and other strengths of our encyclopedic holdings, and to enable our curators to organize cutting-edge exhibitions. We are extremely pleased with the visitor response and critical acclaim for these programs and look forward to building on what we have learned in the years ahead at The Met Fifth Avenue,” says President Daniel Weiss. 
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Jeffrey Deitch Interviewed in LA Times

September 20th, 2018

Deitch, via LA TimesJeffrey Deitch has an interview in the LA Times this week, as he tours the newspaper around his new space in Hollywood. “For people coming from different parts of America, coming from different countries,” he says, “this is a really L.A. space. And that’s what I wanted — an only-in-L.A. space.”
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REFERENCE LIBRARY

Josh Smith

b. 1976
Lives and works in:

New York, NY

Represented by:

Luhring Augustine, New York

Education includes:

Miami University, Oxford, OH
University of Tennessee BFA, Knoxville, TN

Smith is an abstract artist who has received press for his tendency to incorporate his own name within many of his works. Pieces can often be described as messy, like 2004’s New Swamp Thing, in which red checkers ascend from the lower right corner of the painting, obscuring the artist’s name. More recently, his work has taken the form of similarly disheveled collages, incorporating newspaper clippings as well as large and obscuring paint-splatters across his work. Other works take the form of word art, like the untitled. 2006 piece which could easily be mistaken for an advertisement or handbill for London’s Serpentine Gallery, or another 2006 piece untitled, which sees his full name scrawled across a black canvas two times in ghostly-white paint.