Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

WSJ Tours Massive New Zealand Sculpture Park

May 23rd, 2017

Andy Goldsworthy, via WSJCollector Alan Gibbs gives the Wall Street Journal a tour of his massive sculpture park in Kaipara Harbour, New Zealand.  “It’s hard to hide this place,” he says of the park, which holds works by Anish Kapoor, Sol LeWitt and Maya Lin, among others.  “People see things from the road. That’s how it first got known.” 
Read More »

Ai Weiwei to Debut Lego Works at Hirshhorn Next Month

May 23rd, 2017

Ai Weiwei, Trace, via NYTAi Weiwei will mark the East Coast debut of “Trace” (2014), one of his popular lego portrait pieces from his show at Alcatraz Island several years ago, at the Hirshhorn this summer.  “Throughout his distinguished career, Ai has redefined the roles of both an artist and an activist,” director Melissa Chiu said in a statement. “With this new presentation, visitors will experience a special focused consideration of Ai’s most influential and critically acclaimed recent works.”
Read More »

Perry Rubinstein Facing Six Months Jail Time After Plea Deal

May 23rd, 2017

Perry Rubinstein, via Art NewspaperArt dealer Perry Rubinstein will serve a six month prison sentence after cutting a plea deal in his court case for grand theft by embezzlement, Art Newspaper reports.  Rubinstein was arrested after failing to pay former Disney CEO Michael Ovitz on the proceeds from a pair of Richard Prince works he sold. 
Read More »

REFERENCE LIBRARY

Josh Smith

b. 1976
Lives and works in:

New York, NY

Represented by:

Luhring Augustine, New York

Education includes:

Miami University, Oxford, OH
University of Tennessee BFA, Knoxville, TN

Smith is an abstract artist who has received press for his tendency to incorporate his own name within many of his works. Pieces can often be described as messy, like 2004’s New Swamp Thing, in which red checkers ascend from the lower right corner of the painting, obscuring the artist’s name. More recently, his work has taken the form of similarly disheveled collages, incorporating newspaper clippings as well as large and obscuring paint-splatters across his work. Other works take the form of word art, like the untitled. 2006 piece which could easily be mistaken for an advertisement or handbill for London’s Serpentine Gallery, or another 2006 piece untitled, which sees his full name scrawled across a black canvas two times in ghostly-white paint.