David Zwirner is in the NYT this week, talking about Brexit and how it has affected the future of the European art market. “I thought of having a second leg in Europe since a few years, but Brexit did accelerate that process,” he says. “There were opportunities in Europe we weren’t grabbing in the way we should.”
image via www.mfa.org
Louise Bourgeois (born December 25, 1911) is an artist and sculptor. Her most famous works are possibly the spider structures, titled Maman, from the last dozen years. All of Bourgeois’ sculptures incorporate a sense of vulnerability and fragility. Her works are often viewed to have a sense of sexuality to them, which she believed is a large part of both vulnerability and fragility. Her works are sometimes abstract and she speaks of them in symbolic terms with the main focus being “relationships” – considering an entity in relation to its surroundings.
Arch of Hysteria, 1993 Polished Bronze image via www.tate.org.uk
Fillette, 1968- latex over plaster image via www.tate.org.uk
Eye to Eye, 1970- marble sculpture
[image via www.nyartbeat.com]
Eyes, 2001- outdoor sculpture image via flickr.com
Bourgeois conveys feelings of anger, betrayal and jealousy, but with playfulness. In her sculpture, she has worked in many different mediums, including rubber, wood, stone, metal, and appropriately for someone who came from a family of tapestry makers, fabric. Some of her pieces consisted of erotic and sexual images, with a motif of “cumuls” (she named the round figures such because they reminded her of cumulus clouds). Her most famous works are possibly the spider structures, titled Maman, from the last dozen years. Maman now stands outside Tate Modern in London. A similar sculpture was featured at an art exhibition in the Solomon R. Guggenheim Museum.
[Bio via Wikipedia Entry]
More information on artist coming soon.
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