Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
Read More »

Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
Read More »

Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
Read More »

REFERENCE LIBRARY

Olafur Eliasson

Works and lives in:

Copenhagen and Berlin

Represented By:

Tanya Bonakdar Gallery, New York

Education includes:

The Royal Danish Academy of Fine Arts in Copenhagen (1989-1995)

Eliasson is an Installation artist and Photographer. He is best known for creating natural, outdoor, settings inside galleries and exhibition spaces.

Eliasson’s work is represented in many private and public collections. The Guggenheim Museum (New York, US), Los Angeles Museum of Contemporary Art (Los Angeles, US), The Menil Collection and the Museo Nacional Centro de Arte Reine Sofia (Madrid, Spain) are examples of institutions showing his work.

In 2003, “The Weather Project” was installed at the Tate Modern. This was Eliasson’s triumph. The installation transformed the gallery’s Turbine Hall into a solarium, with a representations of the Sun and the sky. The work spanned the entire legnth of the great hall. Humidifiers were used to create a fine mist in the air via a mixture of sugar and water. Hundreds of mono-frequency lamps emitted pure yellow light in the from of a semi-circular disc. The ceiling of the hall was covered with a huge mirror. The mirror served many purposes, it reflected heat from the lamps and allowed the visitors to see themselves as tiny shadows against the orange light.

Eliasson frequently displays his work in international projects, biennial exhibitions, and as commissioned outdoor installations. “Blind Pavilion,” is his 2003 creation for the Venice Biennial. “Your Black Horizon,” was commissioned by Thyssen-Bornemisza and David Adjaye in 2006, on the island of San Lazzaro in the lagoon near Venice, Italy.  The  piece was  a light installation, exhibiting a black room with a thin strip of light showing through the walls.

Recent and Upcoming Shows and Exhibitions:

Artist Homepage Olafur Eliasson

Wikipedia Entry

More info about the artist coming soon.

Comments and suggestions: info@artobserved.com