New Met Museum Head Max Hollein gets a profile in Vogue, exploring his leadership style and vision for the storied institution. “Max likes to run things,” Dede Wilsey, the main patron of the Fine Arts Museums of San Francisco says. “He’s always way ahead of everybody in his thinking. So if he’s decided this is going to work at the Met, he’s figured out how it’s going to work.”
Read More »
Lives and works in :
Trinidad and Tobago
Education includes :
1979-80 Wimbledon School of Art
1980-83 St Martin’s School of Art, BA
1989-90 Chelsea School of Art, MA
1995-2000 Trustee of Tate Gallery, London
* Many of Doig’s pictures are landscapes, with a number harking back to the snowy scenes of his childhood in Canada. His works are frequently based on found photographs, but are not painted in a photorealist style, Doig instead using the photographs simply as a reference. Peter Doig’s work captures moments of tranquillity, which contrasts with uneasy elements similar to that found in a dream. He uses unusual colour combinations and depicts scenes from unexpected angles. This gives his work a magic realist feel. In The Architect’s Home in the Ravine the thick undergrowth partly obscures the house. It is the play of twig like shapes and range of colours overlapping the building which one notices. He is also a photographer, using both his own and others’ as reference for his paintings.
In 2003, Doig, together with Trinidadian artist Che Lovelace, started a weekly film club called StudioFilmClub in his studio.
In 2005 he was one of the artists exhibited in part 1 of The Triumph of Painting at the Saatchi Gallery in London.
* Via Wikipedia
* External Link