As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic. “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Lives and works in :
Trinidad and Tobago
Education includes :
1979-80 Wimbledon School of Art
1980-83 St Martin’s School of Art, BA
1989-90 Chelsea School of Art, MA
1995-2000 Trustee of Tate Gallery, London
* Many of Doig’s pictures are landscapes, with a number harking back to the snowy scenes of his childhood in Canada. His works are frequently based on found photographs, but are not painted in a photorealist style, Doig instead using the photographs simply as a reference. Peter Doig’s work captures moments of tranquillity, which contrasts with uneasy elements similar to that found in a dream. He uses unusual colour combinations and depicts scenes from unexpected angles. This gives his work a magic realist feel. In The Architect’s Home in the Ravine the thick undergrowth partly obscures the house. It is the play of twig like shapes and range of colours overlapping the building which one notices. He is also a photographer, using both his own and others’ as reference for his paintings.
In 2003, Doig, together with Trinidadian artist Che Lovelace, started a weekly film club called StudioFilmClub in his studio.
In 2005 he was one of the artists exhibited in part 1 of The Triumph of Painting at the Saatchi Gallery in London.
* Via Wikipedia
* External Link