Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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REFERENCE LIBRARY

Peter Doig

Lives and works in :

Trinidad and Tobago

Education includes :

1979-80 Wimbledon School of Art
1980-83 St Martin’s School of Art, BA
1989-90 Chelsea School of Art, MA
1995-2000 Trustee of Tate Gallery, London

* Many of Doig’s pictures are landscapes, with a number harking back to the snowy scenes of his childhood in Canada. His works are frequently based on found photographs, but are not painted in a photorealist style, Doig instead using the photographs simply as a reference. Peter Doig’s work captures moments of tranquillity, which contrasts with uneasy elements similar to that found in a dream. He uses unusual colour combinations and depicts scenes from unexpected angles. This gives his work a magic realist feel. In The Architect’s Home in the Ravine the thick undergrowth partly obscures the house. It is the play of twig like shapes and range of colours overlapping the building which one notices. He is also a photographer, using both his own and others’ as reference for his paintings.

In 2003, Doig, together with Trinidadian artist Che Lovelace, started a weekly film club called StudioFilmClub in his studio.

In 2005 he was one of the artists exhibited in part 1 of The Triumph of Painting at the Saatchi Gallery in London.

* Via Wikipedia

* External Link

http://www.saatchi-gallery.co.uk/artists/peter_doig.htm

http://www.tate.org.uk/britain/exhibitions/peterdoig/

Recent and Upcoming Shows and Exhibitions:
Peter Doig at the Tate Britain
February, 5 – April, 27