The Walker Art Center in Minneapolis will commission a Native artist to do a public artwork for the museum’s sculpture garden, a response to the controversy over artist Sam Durant’s Scaffold work. “We are extremely fortunate to be working with the expertise, knowledge, and creative thinking of this committee, who collectively will help bring an important new work of art to the Walker Art Center collection and to the Twin Cities,” says Siri Engberg, the Walker’s senior curator and director of exhibitions.
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Zurich, Switzerland and Los Angeles, CA
Hauser and Wirth, London/Zurich
Luhring Augustine, New York
Institute of Applied Arts, Vienna
School of Design, Basel
Rist, who traditionally works in film, began her career by making super 8 films. Her works usually last only a few minutes and vary in color, sound and speed. Often her pieces approach issues like sexuality, gender and the human body. Her films often feel like digital space travel soaring through a colored injected world of leaves, flowers, stones, etc that transform into the crook of an elbow or a patch of hair. Her videos never rest, with digital technology, the perspective is always twisting and changing. Often, the videos are projected in a non tradtional way; spinning images floating on the floor, a hanging shiny metal drop with the video projected on its side.
A signature work of hers is housed in PS1 MoMA’s floor, through a tiny chink in the floorboards one hears the high pitched voice of a minpin screaming for help. Looking down into the floor, one sees a tiny video of the artist, filmed from a downward perspective, of her desperately jumping up and down trying to escape the floorboards. The effect is that there is a tiny Rist that has slipped between the cracks of the museum.
She is at the forefront of women artists and of video artists, both minorities in a world dominated by male painters/sculptors.
She has received a number of awards and prizes, including the Swiss Federal Arts Scholarship in 1991 and the prestigious Wolfgang-Hahn-Preis in 1999.