The Giacometti Institute will open in Paris this June, The Guardian reports, bringing a number of rarely seen works by the artist to exhibition, alongside a replica of his studio. “He was not interested at all in money, in glory. But I think he would have liked to see his work acknowledged,” says Catherine Grenier, the institute’s director. “He would find it very amusing. In his time the dominant strand was abstraction and [his art] was considered outside the trend. Nowadays he’s one of the most respected and the most important … of all his generation. He would be happy with this.”
Read More »
Zurich, Switzerland and Los Angeles, CA
Hauser and Wirth, London/Zurich
Luhring Augustine, New York
Institute of Applied Arts, Vienna
School of Design, Basel
Rist, who traditionally works in film, began her career by making super 8 films. Her works usually last only a few minutes and vary in color, sound and speed. Often her pieces approach issues like sexuality, gender and the human body. Her films often feel like digital space travel soaring through a colored injected world of leaves, flowers, stones, etc that transform into the crook of an elbow or a patch of hair. Her videos never rest, with digital technology, the perspective is always twisting and changing. Often, the videos are projected in a non tradtional way; spinning images floating on the floor, a hanging shiny metal drop with the video projected on its side.
A signature work of hers is housed in PS1 MoMA’s floor, through a tiny chink in the floorboards one hears the high pitched voice of a minpin screaming for help. Looking down into the floor, one sees a tiny video of the artist, filmed from a downward perspective, of her desperately jumping up and down trying to escape the floorboards. The effect is that there is a tiny Rist that has slipped between the cracks of the museum.
She is at the forefront of women artists and of video artists, both minorities in a world dominated by male painters/sculptors.
She has received a number of awards and prizes, including the Swiss Federal Arts Scholarship in 1991 and the prestigious Wolfgang-Hahn-Preis in 1999.