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NEWS

WSJ Reports Buyer of da Vinci’s ‘Salvator Mundi’ as Saudi Crown Prince

December 8th, 2017

Leonardo da Vinci, Salvator Mundi (circa 1500) final price $450,312,500, via Christie'sA conflicting report in the Wall Street Journal notes that the buyer of the da Vinci piece last month at Christie’s is actually Saudi Arabia’s Crown Prince Mohammed bin Salman, noting that another prince served as a proxy buyer for the work.  The news comes as the Louvre Abu Dhabi has claimed that it will be showing the piece in its museum.
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Republican Tax Bill to Cut Funding for Artist Residences

December 8th, 2017

Pittsburgh's Spinning Plate Artist Lofts, via CitylabA new amendment to the Republican tax bill would strike artist residences from qualifying low-income housing. Senator Pat Roberts, the Republican senior senator from Kansas, changed language in the bill shortly before it was signed this past week.
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Galerie Balice Hertling Opens Second Space in Paris

December 8th, 2017

Sibylle Rochat, via Art NewsGalerie Balice Hertling has opened a second space in Paris at 239 Rue Saint-Martin, only a few blocks from the Centre Pompidou. Art consultant Sibylle Rochat has also joined the gallery as a partner.
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REFERENCE LIBRARY

Richard Serra

b. 1939
Lives and works in:

New York state and Nova Scotia

Represented by:

Gagosian Gallery, New York

Education includes:

University of California BA, Santa Barbara
Yale BFA, New Haven, CT
Yale CFA, New Haven, CT

Serra is a sculptor most well known for his gargantuan, site-specific steel sculptures that completely envelope their viewers. These sculptures are comprised of carefully arranged walls gently curving on two axes with space in between for people to walk within the looming rusted passageways. He is often cited as a minimalist, as his work emphasizes materiality and engagement between viewer, site and the work. Serra is known for his avid devotion and development of the notion of process art. All of these intentions, place him in the category of the neo- avant- garde, as defined by Burger.

Serra’s career was jump-started by his Splash series (1968-1970). He dripped and splashed molten lead on the juncture between the wall and the floor. This work was a crucial moment in art history for the site specific artwork, while simultaneously drawing on Jackson Pollock’s emphasis on process and the use of industrial materials in 20th century Russian avant garde works.

Serra’s work became embroiled in controversy, when a commissioned large scale, site specific sculpture Tilted Arc (1981) was removed from the Federal Plaza due to public dismay after eight years of battle. Workers in the area complained that the gently curving 3.5 meter tall piece of steel interfered with pedestrian traffic in the square. The city suggested that the piece be moved. Consistent to the tenets of site-specificity, Serra famously retorted, “To remove the work is to destroy it.” The piece was taken down and turned into scrap metal in 1989.

Serra continues to construct the huge steel installations he is now famous for. His first solo show was in the Leo Castelli ware house, Serra continues to show with Castelli as well as Gagosian Gallery. He has exhibited extensively around the world, including at the MOMA, the Guggenheim Bilbao, Kunsthalle Tubingen, and the Musee National d’Art Moderne.

Serra at MOMA June 3- September 10, 2008 [Art Observed]