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Former Scotland Yard Detectives Call on London’s Metropolitan Police to Not Abandon Art Crimes Division

August 18th, 2017

New Scotland Yard, via Financial TimesFormer Scotland Yard detectives have called on London’s Metropolitan Police to maintain its art crimes investigation, following the reappointment of the division’s detectives to investigating the Grenfell Tower fire. “There’s a point when you have to ask when they’re going to come back,” says Vernon Rapley, former head of the art squad at Scotland Yard. “Temporary can become permanent. They are one of the very few international teams that are able to deal with what are incredibly complex and difficult cases that could not easily be dealt with using normal detectives or officers.”
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Njideka Akunyili Crosby Interviewed in W Magazine

August 18th, 2017

Njideka Akunyili Crosby, via WNjideka Akunyili Crosby is profiled in W Magazine this month, with a profile tracing the artist’s work and her response to her recent successes. “People expect me to be happy, but it put a spotlight on me in a way I don’t like at all,” she says. “I like operating quietly, on my own, in the background.”
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Collector David Roberts to Open Sculpture Park in Somerset

August 17th, 2017

David Roberts, via Art NewspaperLondon collector David Roberts has plans to close his gallery, and open a 20-acre sculpture park in Somerset, west England, Art Newspaper reports.“We’ll still continue to do things in London,” he says. “The sale of the venue, which is funded mainly by me, means we can take on more projects.” 
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REFERENCE LIBRARY

Richard Serra

b. 1939
Lives and works in:

New York state and Nova Scotia

Represented by:

Gagosian Gallery, New York

Education includes:

University of California BA, Santa Barbara
Yale BFA, New Haven, CT
Yale CFA, New Haven, CT

Serra is a sculptor most well known for his gargantuan, site-specific steel sculptures that completely envelope their viewers. These sculptures are comprised of carefully arranged walls gently curving on two axes with space in between for people to walk within the looming rusted passageways. He is often cited as a minimalist, as his work emphasizes materiality and engagement between viewer, site and the work. Serra is known for his avid devotion and development of the notion of process art. All of these intentions, place him in the category of the neo- avant- garde, as defined by Burger.

Serra’s career was jump-started by his Splash series (1968-1970). He dripped and splashed molten lead on the juncture between the wall and the floor. This work was a crucial moment in art history for the site specific artwork, while simultaneously drawing on Jackson Pollock’s emphasis on process and the use of industrial materials in 20th century Russian avant garde works.

Serra’s work became embroiled in controversy, when a commissioned large scale, site specific sculpture Tilted Arc (1981) was removed from the Federal Plaza due to public dismay after eight years of battle. Workers in the area complained that the gently curving 3.5 meter tall piece of steel interfered with pedestrian traffic in the square. The city suggested that the piece be moved. Consistent to the tenets of site-specificity, Serra famously retorted, “To remove the work is to destroy it.” The piece was taken down and turned into scrap metal in 1989.

Serra continues to construct the huge steel installations he is now famous for. His first solo show was in the Leo Castelli ware house, Serra continues to show with Castelli as well as Gagosian Gallery. He has exhibited extensively around the world, including at the MOMA, the Guggenheim Bilbao, Kunsthalle Tubingen, and the Musee National d’Art Moderne.

Serra at MOMA June 3- September 10, 2008 [Art Observed]