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Atelier Van Lieshout Work to Go to Centre Pompidou

October 17th, 2017

Atelier Van Lieshout, via NYTDesign group Atelier Van Lieshout’s Domestikator sculpture, originally deemed too lewd for an installation outside the Louvre, will go on view outside the Centre Pompidou.“To have this major piece in front of the Pompidou is a victory,” says Julien Lombrail, director of the London-based gallery Carpenters Workshop, which represents the artists. “It’s an incredible moment for Paris and the public when we have so many issues surrounding art and censorship. It’s important for us to engage for the future.”
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New York Times Spotlights Challenges for Fall Auction Calendar

October 17th, 2017

Francis Bacon in London, via NYTA piece in the New York Times notes the growing stature of the London Contemporary Art auctions each October, and the challenges of two sets of major auctions each fall focusing on marquee works between New York and London. “There’s a volume issue,” says advisor Anthony McNerney of this month’s sales in the British capital. “A lot of collectors were feeling ‘art blind.’ ”
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Never-Before-Auctioned Léger Leads Christie’s Auction with $65 Million Estimate

October 17th, 2017

Fernand Leger, via NYTFernand Léger’s Contraste de formes, a work which has never been auctioned, will go on sale at Christie’s next month in New York, carrying with it an estimate of $65 million.  The price would set a new record for the artist. “Executed just months before the First World War, Contraste de formes, with its groundbreaking abstract conception and its thrillingly preserved physical state, is without question a major work of Modern Art,” says Conor Jordan, deputy chairman of Impressionist and modern art at Christie’s.
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REFERENCE LIBRARY

Sophie Calle

Sophie Calle image via weblogs.clarin.com

[image via weblogs.clarin.com]

Sophie Calle (born 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle’s work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her photographic work often includes panels of text of her own writing.

Sophie Calle- Blind #14, 1986 Gelatin silver print, two chromogenic prints, and text panel image via www.metmuseum.org

Sophie Calle- Blind #14, 1986

Gelatin silver print, two chromogenic prints, and text panel

[image via www.metmuseum.org]

Calle is admired by several artists around the world, and has been paid homage with retrospectives of her work. Additionally, Calle’s text Exquisite Pain was adapted into a performance in 2004 by Forced Entertainment, a theatrical company based in Sheffield, England.

In bed with Sophie Calle: The artist's parody of Brigitte Bardot in 'Days lived under the Sign of B, C and W' image via www.telegraph.co.uk

In bed with Sophie Calle: The artist’s parody of Brigitte Bardot in ‘Days lived under the Sign of B, C and W’ [image via www.telegraph.co.uk]

Sophie Calle- Les dormeurs, 1979 image via www.elsilencio.com

Sophie Calle- Les dormeurs, 1979

[image via www.elsilencio.com]

At her gallery shows, Calle frequently supplies suggestion forms on which visitors are encouraged to furnish ideas for her art, while she sits beside them with a disinterested expression. In November 2008, she will participate in an exhibition “Système C, un festival de coincidence” proposed by the Stéréotypes Associés in Mains d’Oeuvres, Paris.

[Bio via Wikipedia Entry]

Sophie Calle, 67 Days to Unhappiness- # 66 image via artjetset.blogspot.com/

Sophie Calle, 67 Days to Unhappiness- # 66

[image via artjetset.blogspot.com]

More info about the artist coming soon.

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