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Art Newspaper Looks at Potential Impact of French Election on Nation’s Art Market

March 22nd, 2017

Statues of French politicians, via Art NewspaperThe Art Newspaper looks at market health in France, and the possible impacts the coming election could have on its strength in the coming months.  “Within a complicated global context, Paris is doing better than expected, and is gaining strength against other components of the international art market,”says Nicolas Orlowski of Artcurial auction house.
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Stephanie D’Alessandro Takes Over as Modern Art Curator at Met

March 22nd, 2017

Stephanie D'Alessandro, via Art NewsStephanie D’Alessandro has been named The Met’s new Leonard A. Lauder Curator of Modern Art.  D’Alessandro previously worked in a similar position at the Art Institute of Chicago.  She will take over for Rebecca Rabinow, who left for Houston’s Menil Collection.  
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Global Sales Down 11% as Art Market Continues to Shrink

March 22nd, 2017

Sotheby's Auction, via CNBCThe global art market has fallen to its lowest point since the financial crisis, with global sales dropping 11% this past year, Bloomberg reports.  “It was quite a challenging year for the art market,” economist Clare McAndrew said.
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REFERENCE LIBRARY

Vito Acconci

Vito Acconci
Vito Acconci image via The Brooklyn Rail

b. 1940
Lives and works in:

Brooklyn, New York

Represented by:

Acconci Studio, Brooklyn, NY

Education includes:

College of the Holy Cross BA, Worcester, MA

University of Iowa MFA, Iowa City

Acconci, a New York born and based artist, began his career in the mid-60s as a poet and co-editor (with poet and author Bernadette Mayer) of the journal 0 to 9. The journal published works by important contemporaneous artists and writers such as Robert Barry, Dan Graham, Sol Lewitt, Yvonne Rainer, and Robert Smithson.By the late 60s Acconci drifted from writing and, influenced by the readings he participated in, started exploring performance-based work, video, film, and photography. Much of this work was highly conceptual and focused on the artist’s body within space (Following, an early piece, consisted of the artist being led around New York City by strangers). Another prominent feature of this work was the element of total physicality as pronounced through his engagement with his own body, which at times was quite grotesque and bordered on violent. Perhaps his most notorious piece, Seedbed (1971), consisted of Acconci lying under a wooden ramp in Sonnabend Gallery, masturbating, while his concurrent fantasies were being broadcast through speakers in the gallery. This piece, which employed performance, language, and a direct relationship between the viewer and the artist, would establish the vein in which Acconci worked for years to come.
crash by vito acconci

Crash by Vito Acconci, image via Wikipedia

By the 1980s, Acconci explored more proto-architectural constructions, moving out of the traditional gallery space into more open, dialogical, public space. In 1988 he formed Acconci Studio, an architecture and landscaping firm, with a group of other architects. Acconci Studio, based in Brooklyn, continues to design public buildings.

City of Words, Lithograph by Vito Acconci

City of Words, Lithograph by Vito Acconci, image via Wikipedia

Vito Acconci- Homepage

Wikipedia Entry

Books About Vito Acconci:
More info about the artist coming soon.

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