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Student Finds Early Edward Hopper Paintings to be Copied from Earlier Works

September 29th, 2020

A new study into the work of Edward Hopper by a doctoral candidate at the Courtauld Institute in London shows that some of the artist’s early works are copies of works from a magazine for amateur artists. 
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Bruce Nauman Profiled in The Guardian

September 29th, 2020

Bruce Nauman speaks with The Guardian this week, as the artist prepares to open a major retrospective at Tate Modern. “I remember someone coming to the studio and saying, ‘You must be very depressed,’” he notes. “I said that I didn’t think so, otherwise I wouldn’t be making work. A lot of things got worked out through the work. Different kinds of anger and frustration.”
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Paddle 8 Bankruptcy Trustee Sues Former Board Member

September 28th, 2020

Following Paddle 8’s bankruptcy, the company’s bankruptcy trustee Megan Noh has filed suit against former board member John Textor, alleging “reckless disregard” for the company, and seeking $6 million in damages. “Neither I nor the companies mentioned have been involved in quite some time, though it is standard practice for a trustee to cast a wide net in filing speculative claims for recovery,” Textor claims.
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REFERENCE LIBRARY

Vito Acconci

Vito Acconci
Vito Acconci image via The Brooklyn Rail

b. 1940
Lives and works in:

Brooklyn, New York

Represented by:

Acconci Studio, Brooklyn, NY

Education includes:

College of the Holy Cross BA, Worcester, MA

University of Iowa MFA, Iowa City

Acconci, a New York born and based artist, began his career in the mid-60s as a poet and co-editor (with poet and author Bernadette Mayer) of the journal 0 to 9. The journal published works by important contemporaneous artists and writers such as Robert Barry, Dan Graham, Sol Lewitt, Yvonne Rainer, and Robert Smithson.By the late 60s Acconci drifted from writing and, influenced by the readings he participated in, started exploring performance-based work, video, film, and photography. Much of this work was highly conceptual and focused on the artist’s body within space (Following, an early piece, consisted of the artist being led around New York City by strangers). Another prominent feature of this work was the element of total physicality as pronounced through his engagement with his own body, which at times was quite grotesque and bordered on violent. Perhaps his most notorious piece, Seedbed (1971), consisted of Acconci lying under a wooden ramp in Sonnabend Gallery, masturbating, while his concurrent fantasies were being broadcast through speakers in the gallery. This piece, which employed performance, language, and a direct relationship between the viewer and the artist, would establish the vein in which Acconci worked for years to come.
crash by vito acconci

Crash by Vito Acconci, image via Wikipedia

By the 1980s, Acconci explored more proto-architectural constructions, moving out of the traditional gallery space into more open, dialogical, public space. In 1988 he formed Acconci Studio, an architecture and landscaping firm, with a group of other architects. Acconci Studio, based in Brooklyn, continues to design public buildings.

City of Words, Lithograph by Vito Acconci

City of Words, Lithograph by Vito Acconci, image via Wikipedia

Vito Acconci- Homepage

Wikipedia Entry

Books About Vito Acconci:
More info about the artist coming soon.

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