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Everson Museum Receives $4.8 Million Gift

November 15th, 2018

Everson Museum, via Art NewsSyracuse’s Everson Museum of Art in New York has received a donation of $4.8 million, one of the largest gifts ever made to a Syracuse arts organization, given by board members Paul Philips and Sharon Sullivan. “This campaign is the most ambitious fundraising effort in our institution’s 120-year history,” says Elizabeth Dunbar, director and CEO of the Everson.
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New York Times Spotlights Art Storage Facilities

November 15th, 2018

Uovo, via NYTThe New York Times looks at the new storage facilities popping up in New York and around the US for art collectors. “Dealers have to store it, then they sell it to collectors who have to store it, then they donate it to museums that have to store it,” says art adviser Todd Levin.
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Knight Foundation Donates $435,000 to Digital Arts Projects

November 15th, 2018

Gray Area Theater, via Art NewsThe Knight Foundation in Miami, Florida, has earmarked a total of $435,000 for four digital art projects. “As in many parts of modern society, technology advancements have revealed both new opportunities and challenges for artists,” says Chris Barr, director of arts at the Knight Foundation. “At the moment, there are few organizations providing support systems for digital art. These projects are filling that gap, helping artists navigate and thrive in this new terrain.”
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REFERENCE LIBRARY

Vladimir Tatlin

1885 – 1953
Lives and works in:

Moscow

Education includes:

Moscow School of Painting, Sculpture Architecture

Tatlin is one of the most important figures heading the Russian
Avant-Garde art movement in the 1920s. His work and his philosophies
eventually became the foundation of the Constructivist movement,
although he later rejected the role as “father of constructivism”.

Tatlin’s early work confronted the notion of a flat two-dimensional
painting as the primary art form. His so-called “corner-reliefs”
consist of planks of wood, planes of metal, pieces of twine, etc. that
are arranged hanging from a corner. These pieces appear to be an
abstract or cubist painting, blown out into three dimensions.

Art history most frequently mentions his name in relation to his
attempt to create Monument to the Third International. This project
was envisioned to a be a huge tower, dwarfing the Eiffel Tower, which
was, at the time, the tallest man-made structure. It was conceived to
be a revolutionary utopian force – a new version of the classical
monument, which at once inspires political allegiance and depicts a
heroic, historical context. The monument would be all of this, function
as the headquarters of the international Communist movement and embody
a new industrial aesthetic built on modern technology.