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NEWS

Critics Sign Letter Opposing Trump’s Recognition of Jerusalem as Israel’s Capital

December 12th, 2017

Donald Trump, via Art NewspaperA group of over 100 artists, writers and critics have signed an open letter condemning Donald Trump’s decision to recognize Jerusalem as Israel’s capital. “We reject Trump’s collusion with such racist manipulation and his disregard for international law,” the letter reads. “We deplore his readiness to crown the Israeli military conquest of East Jerusalem and his indifference to Palestinian rights.”
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Spanish Law Enforcement Seizes Works in Catalonian Museum

December 12th, 2017

Spanish demonstrators protest outside of the Lleida Museum, via Art NewspaperSpanish law enforcement has seized a selection of paintings and artifacts  from the Lleida Museum in Catalonia this week, continuing fierce tensions in the region over Catalonia’s attempted independence from Spain. “Aragonese authorities have a great interest in recovering pieces in Catalan museums, but have no desire to recover other objects from Sijena that are, for instance, in the Prado in Madrid,” says Santi Vila, Catalonia’s former cultural minister. “Why? For political reasons.”
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WSJ Reports Buyer of da Vinci’s ‘Salvator Mundi’ as Saudi Crown Prince

December 8th, 2017

Leonardo da Vinci, Salvator Mundi (circa 1500) final price $450,312,500, via Christie'sA conflicting report in the Wall Street Journal notes that the buyer of the da Vinci piece last month at Christie’s is actually Saudi Arabia’s Crown Prince Mohammed bin Salman, noting that another prince served as a proxy buyer for the work.  The news comes as the Louvre Abu Dhabi has claimed that it will be showing the piece in its museum.
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REFERENCE LIBRARY

Walton Ford

Biography

Walton Ford was born in 1960 in Larchmont, New York. Ford graduated from the Rhode Island School of Design with the intention of becoming a filmmaker, but later adapted his talents as a storyteller to his unique style of large-scale watercolor. Blending depictions of natural history with political commentary, Ford’s meticulous paintings satirize the history of colonialism and the continuing impact of slavery and other forms of political oppression on today’s social and environmental landscape. Each painting is as much a tutorial in flora and fauna as it is as a scathing indictment of the wrongs committed by nineteenth-century industrialists or, locating the work in the present, contemporary American consumer society. An enthusiast of the watercolors of John James Audubon, Ford celebrates the myth surrounding the renowned naturalist-painter while simultaneously repositioning him as an infamous anti-hero who, in reality, killed more animals than he ever painted. Each of Ford’s animal portraits doubles as a complex, symbolic system, which the artist layers with clues, jokes, and erudite lessons in colonial literature and folktales. Walton Ford is the recipient of several national awards and honors including a fellowship from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts. Ford’s work has been featured at Bowdoin College Museum of Art, the Southeastern Center for Contemporary Art, the Whitney Museum of American Art at Champion, and the Forum for Contemporary Art in St. Louis. After living in New York City for more than a decade, Walton Ford relocated his studio to Great Barrington, Massachusetts. Ford and his family reside in upstate New York.

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Wikipedia Entry

More info about the artist coming soon.

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