Yoko Ono at Tate Modern
“Yoko Ono: Music of the Mind” exhibition at Tate Modern, is on until September 1st and is an expansive journey through Yoko Ono’s artistic legacy, blending music, installations, photography, and interactive performance art. This landmark showcase, the UK’s most extensive collection of Ono’s work, spans her groundbreaking contributions from the early 1950s to today, highlighting her role as a pioneer in avant-garde art circles worldwide.
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Koons at Skarstedt
From 1st March to 25th May 2024, Skarstedt’s London Gallery presents a solo exhibition featuring the work of American artist Jeff Koons. The show includes five mural-sized paintings crafted between 2001 and 2013 drawn from Koons’ series: Easyfun-Ethereal, Antiquity, and Popeye.
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Tomas Saraceno at Tanya Bonakdar
At Tanya Bonakdar Gallery in Los Angeles, “Live(s) on Air” is on from February 24 to May 4, 2024, featuring new works by Tomás Saraceno. This exhibit explores the theme of eco-social interdependence with a collection that includes sculpture, works on paper, and film. It aims to engage viewers in thinking about the impact of humans on the environment and paths toward coexistence on Earth.
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Thomas Hirschhorn: Establishing a Critical Corpus
Edited by Thomas Bizzarri, Thomas Hirschhorn. Text by Claire Bishop, Hal Foster, Yasmil Raymond.
Description:
Published on the occasion of his exhibition at the Swiss Pavilion of the 2011 Venice Biennale, Establishing a Critical Corpus is the first theoretical examination of the work of Thomas Hirschhorn (born 1957), in six illustrated essays by authors including scholars Claire Bishop and Hal Foster and the poet Manuel Joseph, providing a variety of angles on Hirschhorn’s practice.
Biography:
Thomas Hirschhorn is a Swiss artist who is known for his works of transforming white cube spaces into captivating environments that tackle the issues of global politics and consumerism. He engages the viewer and overloads the senses through superabundance. Hirschhorn combines found imagery and texts, bound up in low-tech constructions of cardboard, foil, and packing tape, he props imagistic assaults in a DIY-fashion that correlates to the intellectual scavenging and sensory overload designed to simulate our own process of grappling with the excess of information in daily life.
