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Mel Chin Prepares Augmented Reality Project for Times Square

November 22nd, 2017

Study for 'Unmoored' via NYTArtist Mel Chin is preparing an augmented reality project for Times Square, which will illustrate the potential impacts of climate change on one of the city’s most recognizable areas. “We’re working on a mass phenomenon, extending from 45th to 47th streets in the air, that can convey the gravity of what we have before us,” he said.
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Grave of Schiele Muse Wally Neuzil Discovered in Croatia

November 22nd, 2017

Egon Schiele, Portrait of Wally Neuzil, via Art NewspaperThe grave of Walburga “Wally” Neuzil, Egon Schiele’s young muse, has been found in Croatia, the Art Newspaper reports, and will be commemorated by a monument. “It’s an interesting monumental project for the European identity,” says researcher Robert Holzbauer.
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Christie’s to Launch Standalone Sale of Works from Rockefeller Collection

November 22nd, 2017

Odalisque couchée aux magnolias, via Art NewsChristie’s will offer the first set of works from the collection of David Rockefeller next year in a standalone sale.  The offerings include Fillette à la corbeille fleurie (1905), a Rose Period Picasso estimated at $70 million, and Matisse’s Odalisque couchée aux magnolias (1923), which is already estimated to break the artist’s auction record of $41 million. 
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REFERENCE LIBRARY

Baroness Marion Lambert

Collector’s Birthdate: NALambert, wife of collector Baron Philippe Lambert of the prominent Belgian banking family, is one of the first collectors and patrons of contemporary photography.

Her photography collection Veronica’s Revenge was assembled thanks to her close relationships to artists as well as her keen collector’s sense. The exhibition was shown at the family-founded Bank Brussels Lambert in 1996 in Geneva. Subsequent protests from the bank director led to its removal and ultimate sale at auction in 2005.

Key works include Mike Kelley’s “Ahh… Youth”.

On collectors:

“Collectors are hoarders, and probably fodder for shrinks. I am no exception, although with the years I have learned to control myself while weeding out the mediocre and superfluous from the essential and best…Collectors often do not make an attempt to establish a discourse between the works, and do not build something coherent. They buy names, fashions, trends, and what their neighbor has.”

She adds, “people who only buy art to invest, sooner or later will fall flat on their faces.”

Lindemann, Adam. Collecting Contemporary: Los Angeles, Taschen GmbH 2006.