Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Picasso Painting Reveals New Layers After X-Ray Analysis

February 21st, 2018

Picasso, via NYTThe New York Times profiles recent work in art research and conservation using X-Rays, citing the discovery of an underlying painting in a Picasso Blue Period piece. “It was clear there was something else going on underneath,” researcher Sandra Webster-Cook said.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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REFERENCE LIBRARY

Bernardo Paz

Collector’s Birthdate: NAPaz, a Brazilian entrepreneur, is a leading Latin American collector. He is the creator of the Contemporary Art Center inhotim (CACI), a constantly evolving garden and art space located in his native Minas Gerais.

In 2004, he unveiled his “dream,” which incorporated a 300,000 square foot installation that contained his large country home, multiple gardens and 7 galleries. The collection features more than 450 Brazilian artists as well as artists from other nations.

He is a relatively new collector, having bought his first piece of Contemporary Art, a work by the Brazilian Tunga, in 1998. Many of the pieces in his collection, like Cildo Meireles’ “Inmensa” and Tunga’s “True Rouge” are exceptionally large and require considerable exhibition space.

On what intrigues him:

“I am specifically interested in artists who have ideas that go beyond what a usual private or institutional collection can contain.”

Lindemann, Adam. Collecting Contemporary: Los Angeles, Taschen GmbH 2006.